ジェンダー研究・女性史・家族史 — 全 下位分類

In this incisive work, Sam Ashton provides a compelling, consistent and erudite argument for a foundational approach to the matter of sexual difference, drawing on biblical and doctrinal material and using resources in their original languages. He tracks and traces the sexed body as it moves from creation, through the fall, to redemption "now," and final consummation "not yet." In doing so, Ashton presents what is perhaps the strongest case that can be made for 'male and female He created them'.

Each chapter privileges biblical exegesis, drawing upon figures in church history (notably Augustine and Aquinas) as and when they illumine Scripture. By doing so, the book considers the difficulty presented to sexual dimorphism by the phenomenon of intersex. Ashton seeks to develop an understanding that is generous, inclusive and affirming, so he works carefully through the writings of Thatcher, Song and Cornwall in a way that invites engagement and dialogue.

With the complete divine drama in view, the book offers synthetic judgments about what remains essential for the "structure" of the sexed body as it travels through history and what may be accidental to the sexed body's "direction" within a particular theo-dramatic act. Ashton concludes by considering ways to transition from dogmatic judgments about intersexuality to the moral-pastoral care of concrete intersex individuals, briefly thinking about the complex matter of marriage.

Much writing on men in the field of gender studies tends to focus unduly, almost exclusively, on portraying men as villains and women as victims in a moral bi-polar paradigm. Re-Thinking Men reverses the proclivity which ignores not only the positive contributions of men to society, but also the male victims of life including the homeless, the incarcerated, the victims of homicide, suicide, accidents, war and the draft, and sexism, as well as those affected by the failures of the health, education, political, and justice systems. Proceeding from a radically different perspective in seeking a more positive, balanced, and inclusive view of men (and women), this book presents three contrasting paradigms of men as heroes, villains, and victims. Revised and updated, and presenting data and studies from the United States, Canada, and the United Kingdom, it offers a comparative and revised perspective on gender that will be of interest to scholars across a range of social sciences.

What is Sexualized Violence? Intersectional Readings uses an intersectional, queer, and subject-oriented approach to examine how societies constitute subjects as abilized and vulnerabilized with respect to sexualized violence.

Contributing to our thinking about the dynamic relationship between social structure, subject formation, intersubjectivity, and violence, this text deploys an intersectional reading to engage with the complex social topography that both offers and imposes violence as a socially mediated practice. Instead of discussing one particular group at the intersection of race and gender, this book discusses the constitution of positionalities through systems of oppression and includes racialization, gender, sexuality, disability, and age. Moreover, the text is also interested in explicitly engaging with how the history of disciplines, institutions, and organizations contributed to the current constitution of opportunities for violence. It gives us modes of thinking to confront sexualized violence as a social problem and challenge the discourses and social structures that uphold it.

This book is meant to offer questions and approaches for students and scholars, practitioners and policy makers, and survivors of sexualized violence who have an interest in an intersectional perspective on sexualized violence.

Resistant Reproductions asks why narratives of pregnancy and abortion emerged in the early twentieth century and what kinds of stories these narratives conveyed. Is it only once pregnancy becomes plannable that it becomes a story worth telling? Abortion is often considered resistant and feminist, while pregnancy is considered domestic and conventional. How can readings of literary narratives challenge this reductive binary?

Resistant Reproductions, the first book-length study of both pregnancy and abortion in British culture, addresses these questions by examining pregnancy narratives, including abortion narratives, in British fiction and film from 1907 to 1967. Fiction became a way for writers to explore what new possibilities of reproductive control would mean for the individual, yet there was also much anxiety about who would have control: individuals or the state. While exploring intimate personal experiences of pregnancy and abortion, Resistant Reproductions also asks how literary narratives used reproductive plots to address political issues of gender, class, and eugenics.

This Handbook is an important contribution to the recent history of and contemporary debates on feminist, gender, and women's studies seen in a global perspective. It tackles current developments in the area by examining their multiple configurations in different countries across the world and taking stock of the tensions and controversies that have recently emerged against and within the field. The volume brings together essays from renowned feminist and gender studies academics from the Global North and Global South, together with early stage, emerging scholars. The diversity of the geopolitical and disciplinary locations and the quality of their reflections provide rich, wide-ranging, and interdisciplinary discussions that are rarely found in similar collections, making this an essential resource for advanced students and academics in the field.

The Pet Shop Boys came of age at a time of deep socio-political tension. From the rise of sexual politics and awareness to Thatcherite neoliberalism and the Cold War, this book explores the cultural and political impact of the band and offers a fascinating window into the late 20th and early 21st centuries. An archetypal 'gay band', it shows how their overt queerness influenced generations of LGBTQIA+ music lovers and artists alike.

Covering the full oeuvre of the Pet Shop Boys; their albums, films, stage productions and collaborations, chapters in this collection show how their work is suffused with political commentary on the past and present covering themes as broad as queer identity, the HIV/AIDs epidemic, globalization and Brexit. It also places them within the context of their times and considers them as activists, authors, social commentators, political actors and personalities to better understand what influenced them. Bringing together a range of perspectives and disciplines, The Pet Shop Boys and the Political provides a unique and untapped insight into a formative pop band of the modern era that has mirrored and shaped society over the past forty years.

Experiences of Menstruation from the Global South and North is an edited collection that presents menstruation across the life course, from menarche to menopause. It takes a multidisciplinary perspective, based on academic research, activism, and creative work, to look at the varied and diverse lived experiences of menstruators across the Global South and North.

Beyond the biological facts of menstruation, there is little we can agree upon in a global context where culture determines what menstruation is, what consequences it has for the individual, and how it is best managed. The lived experience of menstruators is inextricably entangled with the body, cultured concepts of gender, religion, economics, and of course, life itself. This volume unpacks concepts in a poly-vocal approach, highlights creative and transformative methods, and expands menstrual health and hygiene management discourses to emphasise structural issues of gender inequality, politics, and human rights.

This is an unprecedented collection of three newly translated Yiddish plays written by women in the period from 1880 to 1920. Taken together, these plays provide a fascinating insight into female Jewish perspectives on a range of women's issues prevalent at the time and, in some cases, still prevalent today. The works explore topics such as the Jewish law of the 'chained widow', pregnancy out of wedlock, and birth control, amongst many others.

Three Yiddish Plays by Women includes an incisive contextual introduction which provides historical context for each individual work, summaries and discussion of the texts and stage histories for two of the three that have them. The introduction offers biographical information about each playwright and looks at what ambit they were each active in, taking into consideration gender norms. It also engages an array of recent sources and angles on intersecting questions of theater and gender in a landmark volume of vital significance to students of women's history, modern Jewish history, cultural history and theatre history.

This book examines the question of the repression of LGBT people through psychiatry during the fascist regime in Italy, a subject that has not been investigated until now. It draws together the substantial archival record of patients, doctors and fascist authorities to reconstruct intricate behind-the-scenes dialogue, and to document one of the ways in which the regime repressed LGBT lives in this period.

Italian Fascism's Forgotten LGBT Victims focusses on three different psychiatric hospitals in three parts of the country - Rome, Florence and the small Calabrian town of Girifalco, which had different attitudes and therapeutic approaches. Archive research results are contextualised within the psychiatric theory of the time, highlighting the existing discrepancies between theory and daily routine practice of mental health institutions in Italy during the regime.

Using a variety of sources, Gabriella Romano expands current knowledge of the history of Italian psychiatry, and, in doing so, she also touches a number of crucial issues of medical history, history of Fascism and queer history. Most importantly, this original and well-documented study sheds light on the life stories of ordinary LGBT individuals and their families under the fascist regime, a topic that is still mostly unexplored.

An illuminating study of early modern efforts to regulate sound in women's residential institutions, and how the noises of city life-both within and beyond their walls-defied such regulation.

Amid the Catholic reforms of the sixteenth and seventeenth centuries, the number of women and girls housed in nunneries, reformatories, and charity homes grew rapidly throughout the city of Florence. Julia Rombough follows the efforts of legal, medical, and ecclesiastical authorities to govern enclosed women, and uncovers the experiences of the women themselves as they negotiated strict sensory regulations. At a moment when quiet was deeply entangled with ideals of feminine purity, bodily health, and spiritual discipline, those in power worked constantly to silence their charges and protect them from the urban din beyond institutional walls.

Yet the sounds of a raucous metropolis found their way inside. The noise of merchants hawking their wares, sex workers laboring and socializing with clients, youth playing games, and coaches rumbling through the streets could not be contained. Moreover, enclosed women themselves contributed to the urban soundscape. While some embraced the pursuit of silence and lodged regular complaints about noise, others broke the rules by laughing, shouting, singing, and conversing. Rombough argues that ongoing tensions between legal regimes of silence and the inevitable racket of everyday interactions made women's institutions a flashpoint in larger debates about gender, class, health, and the regulation of urban life in late Renaissance Italy.

Attuned to the vibrant sounds of life behind walls of stone and sanction, A Veil of Silence illuminates a revealing history of early modern debates over the power of the senses.

Motherhood, whether achieved through biological or other means, is not a rare experience; dressing oneself, even less so. The two phenomena are intimately linked, as both occur on and to the private body, and are also fully subject to social pressures and the changing tides of public opinion. They also, for anyone who experiences motherhood, define one another and work together to shape an individual's identity and place in their culture.

This rich collection explores the essential question of how motherhood and fashion interact, interrogating their relationships to power, misogyny, temporality, longing and embodiment, among other themes. The 13 essays examine representations on film, in popular print and literature; they use images, narrative and material evidence from the past to excavate the historical cleavages in how mothers have been expected to hide, display, share and sacrifice their bodies. An international range of scholars explores the 19th to the 21st centuries, tracing how fashion and motherhood have operated as powerfully interdependent experiences and continue to determine how women are judged and corralled, yet also find meaning, connection and strength.

Including more than 300 alphabetically listed entries, this 2-volume set presents a timely and detailed overview of some of the most significant contributions women have made to American popular culture from the silent film era to the present day.

The lives and accomplishments of women from various aspects of popular culture are examined, including women from film, television, music, fashion, and literature. In addition to profiles, the encyclopedia also includes chapters that provide a historical review of gender, domesticity, marriage, work, and inclusivity in popular culture as well as a chronology of key achievements.

This reference work is an ideal introduction to the roles women have played, both in the spotlight and behind it, throughout the history of popular culture in America. From the stars of Hollywood's Golden Age to the chart toppers of the 2020s, author Laura L. Finley documents how attitudes towards these icons have evolved and how their influence has shifted throughout time. The entries and essays also address such timely topics as feminism, the #MeToo movement, and the gender pay gap.

Womanhoods and Equality in the United States explores how the idea of equality has evolved along with the debates that have animated contemporary American women's history.

This book argues that "womanhood" is neither a unified concept nor a monolithic experience but rather a multifaceted notion. This collection thus looks at this plural dimension of womanhood-womanhoods-with a special focus on equality as a common goal. The authors question what equality means depending on many factors such as race, class, sexuality, education, marital or parental status, physical appearance, and political orientation, and address timely issues including abortion rights, Black womanhood, and sexual violence on college campuses.

Womanhoods and Equality in the United States is an essential resource for academics and students in gender studies, American sociocultural history, and the sociology of social movements.

Feminist Epistemology and Philosophy of Science: An Introduction is structured around six questions and the answers to them that have been offered by feminist epistemologists and philosophers of science. By showing how these answers differ from those of traditional philosophical approaches, the book situates feminist work in relation to philosophy more generally.

The questions are: Who knows? What do we have knowledge of? How do we know? What don't we know? Why does it matter? and How can we know better? In addressing these questions, the book reviews feminist accounts of objectivity, agnotology, issues in social epistemology--including epistemic injustice--and considers how feminist epistemology and philosophy of science aim at better knowledge production. The audience for the book is upper division undergraduates, but it will be useful as a foundation for graduate students and other philosophers who are seeking a general understanding of feminist work in these areas.

Key Features:

• Provides an overview of contemporary feminist epistemology and philosophy of science
• Contrasts feminist epistemology and philosophy of science with traditional philosophy in these areas
• Provides clear examples of the benefits of feminist approaches
• Includes in each chapter an initial overview and, at the end of the chapter, suggested additional readings and discussion questions

Queer Memory and Storytelling unpacks the ways in which the narrative practices of recounting past experiences play a formative role in formation of identities, cultures, and social change among gender and sexually diverse individuals.

Grounded in theoretical research, this work delves into historical accounts, case studies, and draws from the rich tapestry of interviews conducted during extensive LGBTQ+ research studies. It explores the power of memorial storytelling to shape the narratives surrounding gender and sexual diversity, offering profound insights into the role storytelling plays as a deeply subjective, personal, communal, and cultural form of expression. The book introduces a queer perspective that reframes the study of narrative psychology, community history, philosophies of subjectivity and the socio-cultural heritage of LGBTQ+ minority communities. It also focuses on the pivotal role played by memory and reflection found within online coming-up stories and contemporary modes of shared community memorialization. By employing queer theory, ethnographic research, interviews and meticulous media/textual analysis, the book presents new frameworks for comprehending the myriad facets of identity, and investigating what it means to remember and narrate selfhood in the context of social life, actively 'queering' the concept of memory.

Queer Memory and Storytelling will appeal to academics, researchers and students in psychology, sociology, gender and sexuality studies, and communication.

Queering Desire explores, with unprecedented interdisciplinary scope, contemporary configurations of lesbian, bi, queer women's, and non-binary people's experiences of identity and desire. Taking an intersectional feminist and trans-inclusive approach, and incorporating new and established identities such as non-binary, masculine of centre (MOC), butch, and femme, this collection examines how the changing landscape for gender and sexual identities impacts on queer culture in productive and transformative ways.

Within queer studies, explorations of desire, longing, and eroticism have often neglected AFAB, transfeminine, and non-binary people's experiences. Through 25 newly commissioned chapters, a diverse range of authors, from early career researchers to established scholars, stage conversations at the cutting edge of sexuality studies. Queering Desire advances our understanding of contemporary lesbian and queer desire from an inclusive perspective that is supportive of trans and non-binary identities.

This innovative interdisciplinary collection is an excellent resource for scholars, undergraduate, and postgraduate students interested in gender, sexuality, and identity across a range of fields, such as queer studies, feminist theory, anthropology, media studies, sociology, psychology, history, and social theory. In foregrounding female and non-binary experiences, this book constitutes a timely intervention.

Bodies and Boundaries of UK Bear Spaces is an exploration of the spaces of the UK's Bear community - and the people who are in them.

The book details a wealth of existing writing and scholarship on Bears - both historical and contemporary - and uses new empirical research to demonstrate and explain the complexity of 'Bear' in the present-day UK. Moving beyond a focus on masculine attitudes, it emphasises the importance of bodily appearance for Bear communities while also demonstrating the variety of bodies in Bear spaces, and the variety amongst Bear spaces themselves. Resisting universalist accounts, the book calls for greater engagement with the conceptual instability and geographic variation of 'Bear'. Written for both academic and non-academic readers, the book combines an engaging conversational style with excerpts from a rich qualitative dataset to help explain new ways of looking at Bears or 'Bear/y' men.

Bodies & Boundaries of UK Bear Spaces is of value to anyone interested in Bears and/or LGBTQ spaces - particularly in the UK context. It also offers much for scholars of men and masculinities, bodies and fatness, gender studies, and sexuality and queer studies.

The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-NonCommercial-NoDerivatives (CC-BY-NC-ND) 4.0 International license.

Has a global queer popular culture emerged at the expense of local queer artists? In this book, Helton Levy argues that global queer culture is indebted to specific, local references that artists carry from their early experiences in life, which then become homogenized by contemporary media markets. The assumption that queer publics live and consume only through a global set of references, including gay parades and rainbow flags, for example, erases many personal complexities.

Levy revisits media characters that have caught the attention of the broader public - such as Calamity Jane (1953), the Daffyd Thomas character from the BBC comedy Little Britain (2003-2007), Brazilian drag queen Pabblo Vittar, French singer Christine and the Queens, and the Italian-Egyptian rapper Mahmood - and argues that they have gradually blended in the public's perception. This has often obscured the individual struggles faced by these characters, such as immigration, homophobia, poverty and societal exclusion. Levy also questions what happens when global media flows take queer culture to regions wherein the notion of LGBTQ+ rights are not entirely acceptable.

Utilizing insights from media reports published across the world's ten biggest media markets, Levy argues that there are a series of conditions which artists and cultural actors negotiate once they achieve any kind of success in mainstream media, while local queer references remain unseen in the wider media world. For that reason, he argues for stronger incentives for communities to accept and acknowledge the work of queer people before and after commoditization.

Drawing on different understandings of feminisms, this volume archives the ways in which we engage with feminisms and imagine the mundane as a feminist site of resistance against multiple and intersectional marginalisation and oppression. How individual subjects come to their feminist praxis through autoethnographic and other qualitative accounts, and how they offer resistant and decolonial strategies via reflection on their lived and embodied realities.

Plural Feminisms spurs a discussion on how structural violence is identified and resisted, and the invisible and emotional labour that goes on behind this resistance. The book documents the resistance strategies feminists employ on a daily basis to survive, and to form and sustain dissident kinships, that remain unread, unheard, overlooked, and excluded from dominant discourses of being and becoming. Through autoethnography, feminist, queer and/or trans and genderqueer, indigenous, Black and racialised, disabled and neurodivergent scholars in the academy reflect on their engagement with feminisms as well as their unique resistance methods-embracing and exploring complexities and challenges that both entail. It foregrounds the critical importance of first-person narratives in developing an expansive understanding of what it means to be a feminist, the different narratives and forms that resistance takes, and the socio-cultural value of subversion.

How did Mnesarete, a girl from Boeotia, turn into Phryne the famous beauty, and how did she end up as an enduring symbol of ancient Greek culture? This book pieces together the story of the notorious fourth-century Athenian sex worker, Phryne. It considers her early life and her development into a cultural figure, whose influence and legacy have lasted from her own lifetime to the present day. It also investigates her infamous nude courtroom appearance, her influence on one of the most well-known statues from antiquity and her connection to celebrated figures from Alexander the Great to the artist Apelles. Her appearances in modern culture, ranging from Belle Epoque cabaret shows to 1950s Italian film, are also analysed, offering an account of how the real life of a woman turned into the biography of a dream girl.

Nothing but fragmentsremain of Phryne's story, short anecdotes passed on and on again in literary compendia, that tell the story of a witty and beautiful woman who amassed great wealth, associated with some of the most well-known historical figures of ancient Greece. They create an image of a life that is glamorous and titillating, yet they also hint at the tenuous position of a foreign-born sex worker in a society structured to privilege male citizens above all others.

Written in vivid prose and with a keen eye for detail, Women's Equality in America is a valuable resource for understanding the issues and trends that dominate public discourse in discussions of women's rights and gender equality in America.

Since its inception, the women's equality movement in America has been criticized for moving too slowly, moving too quickly, being too demanding, or not being demanding enough. Some of its goals have aroused passionate opposition in those who believed women's equality contradicted not only basic human biology, but also the word of God. Meanwhile, Americans voice starkly different opinions about where women stand in their quest for equality in American workplaces, classrooms, boardrooms, and homes.

Women's Equality in America: Examining the Facts presents sensibly-organized and accurate summaries of the relevant facts concerning all of these claims and counterclaims. But while the volume is primarily concerned with providing an accurate picture of the state of women's equality in the 21st century, it also provides vital contextual coverage of major historical turning points and important historical figures, from leaders of the Seneca Falls women's rights convention in 1848 to the organizers of the #MeToo movement.

In this compelling text, choreographer and psychotherapist Beatrice Allegranti invites the reader into the transdisciplinary Moving Kinship project. Moving Kinship spans a decade of practice-led research with people experiencing early onset dementia; Black feminist activists; psychotherapists; lesbian, gay, bisexual, transgender and queer artists and activists; capoeiristas; and an international team of professional dancers and composers, musicians and scientists.

Allegranti's practice is a more-than-collaboration: it involves accounting for deeply embodied and embedded oppression and privilege in the micro-relating of everyday life. She discusses this reckoning as a kin-aesthetic practice, and the message is foundationally feminist. The book opens possibilities for different registers of feminist justice and puts feminist new materialism, posthumanism and intersectional body politics to work in ways that affirm the paradox that every living thing moves everywhere, all the time, yet every movement is never neutral. As a white Italian-Irish feminist with a transgenerational legacy of the corrosive impact of fascism, she also weaves her own kinship story into dominating systems of patriarchy, colonialism and capitalism, intersecting in ways that are alive and well today.

Moving Kinship offers a rich resource for feminist activists and scholars, trauma-informed therapists, somatic, movement and dance practitioners, artists and those interested in ethical and politically just ways to materially engage with grief, loss, dispossession and trauma.