The Swan Knight texts provide an imaginary tale of the ancestry of Godfrey of Bouillon, first ruler of Jerusalem in the kingdom of Outremer. They form the opening section of the Old French Crusade Cycle, leading up to the fictionalised account of the crusade in the Chanson d'Antioche, Chanson des Chetifs and Chanson de Jerusalem. They comprise six stories: two versions of the childhood of Godfrey's fictional ancestor, the Swan Knight, in the Elioxe and the Beatrix; his battles with the Saxons and marriage to Beatris in the Chevalier au Cygne; his death in the Fin d'Elias; the childhood of Godfrey and introduction of his counterpart Cornumarant in the Enfances Godefroi; and the Retour de Cornumarant, linking the story of the Swan Knight to the central trilogy of the Cycle.

This is the first translation of all six texts into English. The introduction covers the sources, manuscripts, context and later developments of the text culminating in Wagner's Lohengrin. There is a full list of characters and places as well as brief notes on and summaries of the texts.

The translations are designed to make the beginning of the Cycle accessible to modern readers with an interest in the history and literature of the crusades and/ or in folklore. They open up a vast medieval panorama populated by fairy brides and evil grandmothers, children turned into swans and back into humans, knights defending maidens and lecherous squires doing the opposite, scheming abbots and Saracen princes, taking place in an imaginary universe stretching from London to Mecca by way of Boulogne and Bouillon.

This book brings together a selection of articles that have been published throughout a series of special issues of the journal Critical Arts: South-North Cultural and Media Studies that originally focused on the so-called 'ethnographic turn' in contemporary arts. An increasing wave of art events has occurred since the 1990s that have displayed significant similarities with anthropology and ethnography in their theorizations of cultural difference and representational practices.

The aim of these works was to revisit the ethnographic turn in contemporary art by bringing together contributions from theorists, artists and critics, to engage critically with the ethnographic perspective in their work. This focus on the 'ethnographic turn' has been expanded in subsequent special issues to explore how culture and society can be critically explored and challenged trough the detour of art, how contemporary art practices engage with participation, interaction and technology in an increasingly digital (screen) culture, and what the role can be of (critical) art to conceptualize, contest and/ or develop an engaged and critical pedagogy.

This collection aims to re-expose the special issues to an international audience by presenting a (non-exhaustive) selection of articles that exemplify the different perspectives and discussions that are tackled throughout. It starts with three of the introductory articles that have attracted large readerships and that give a detailed introduction for the special issues. The compilation ends with three so-called Vignettes, these are short statements and reflections by artists about their practice, which are an important feature of the special issues.

With contributions from 35 leading media scholars, this collection provides a comprehensive overview of the main methodologies of critical media studies.

Fully revised and updated throughout, the chapters in this second edition address various methods of textual analysis, as well as reception studies, policy studies, production studies, and contextual, multi-method approaches, like intertextuality and cultural geography. Film and television are at the heart of the collection, which also addresses digital technologies and new research tools in such areas as software studies, gaming, and social media. Each chapter includes an intellectual history of a particular method or approach, a discussion of why and how it was used to study a particular medium or media, relevant examples of influential work in the area, and an in-depth review of a case study drawn from the author's own research.

Together, the chapters in this collection give media scholars and critics a complete toolbox of essential critical media studies methodologies.

Curatorial Voice considers the act of curation from a scientific perspective. Questioning the role of curators, the actual act of curation, and the very sound of curatorial voice, Coleman works to dispel the stereotypes that have historically shrouded the work of curators in mystery.

This book draws upon groundbreaking, collaborative research conducted in five national museums in the United States and includes the voices of a diverse range of curators, who reflect, in their own words, upon their role in the construction of curatorial voice. Explaining how the curators used the Curatorial Gatekeeping Mechanisms Chart, created in partnership with the author and included in this book, Coleman demonstrates that the Chart can be used to explain difficult curatorial decisions, to start conversations about shared authority within the museum, and to articulate the value of culture to various museum stakeholders. Most importantly, perhaps, this book and the Chart will provide curators with new tools to explain and justify their valuable work to others and other readers with new ways to understand the role of museums in society.

Curatorial Voice will be essential reading for museum professionals around the world, as well as scholars and students with an interest in museums, galleries, and heritage sites. It will be particularly useful to those engaged in the study of curating, collections management, and exhibition design.

This book is a result of decades-long research into declassified files, offering a unique perspective for writing post-Second World War cultural history through the lens of the political police.

This is the first in-depth, document-based monographic account of how secret services attempted to oppress dissent in popular music in post-war socialist Hungary. The documents reveal the goals, methods and means of the political police in their efforts to exercise control over the world of popular music, including musicians, fans and institutions. Through a series of case studies, the book sheds light on the activities of state security against various musical genres - ranging from jazz to beat, folk, religious music, rock, disco, punk, new wave and oi - and youth subcultures, such as hooligans, hippies, rockers, folk enthusiasts, punks and skinheads. The secret service operated following the resolutions and cultural policy of the communist party and employed a network of secret informants alongside its apparatus until the collapse of the regime in 1990.

Readers interested in a specific narrative of 20th-century pop and politics, culture and the Cold War, secret services and socialist countries, will find it essential reading. It will appeal to scholars and students of humanities, arts, music and European history, as well as professionals such as journalists, art historians, musicologists, musicians, curators, teachers and music lovers alike.

The book explores record collecting and vinyl consumption in the 21st century within the context of the vinyl revival. The book highlights gender, and how gender disparity is expressed in vinyl communities.

Veronica Skrimsjoe considers vinyl consumerism and collecting and how the collector identifies themselves within the socio-political environment of the Global North, with a particular focus on gender. The book includes considerations of Record Store Day, DIY, and DI-together cultures, as well as the historic context needed to evaluate record collecting in the 21st century.

The work is aimed at both an academic and a general readership and as such strikes a more informal tone. Personal experiences are emphasised throughout because vinyl consumers are not a homogenous group, and it is only via personal experiences that we can understand the complexity of consumption. The personal experience also helps make the content more relatable, which is crucial as old stereotypes helped distance the collector from the everyday consumer. Readers will benefit from a different perspective on record collecting and consumptions as the book highlights active, creative consumption and provides an in-depth, innovative analysis of how gender inequality is constructed within this context.

This book outlines the need for media companies to embrace an audience-centric approach to thrive in today's fiercely competitive global market.

Chapters in this book cover different media sectors such as audiovisual, news and user-generated content (UGC), media branding and reputation, and include experiences from Europe, Latin America, Asia, the Middle East, and the United States. To enable readers to assess and compare contexts, the book supplements theoretical discussions with real-world examples related to legacy and new media from international markets and companies. It also explores the dynamic role of technology and its transformative impact on audience media consumption habits. In doing so, the book provides strategies that foster emotional connections and engagement between media companies and their audiences and offers innovative solutions to face challenges such as news avoidance, eroding media trust, declining audience shares, and content oversaturation.

With a thorough exploration of how media companies try to attract their audiences, this book will be of interest to scholars, students, and professionals in the field of media management, media economics, media analytics, and marketing.

This updated second edition of Using Anthropology in the World: A Guide to Becoming an Anthropologist Practitioner is a comprehensive introduction to non-academic anthropological practice.

The demand for anthropologist practitioners is strong and growing every day; practice is, in many ways, the leading edge of anthropology today and one of the most exciting aspects of the discipline. How can anthropology students prepare themselves to become practitioners? Specifically designed to help students, including those in more traditional training programs, prepare for a career in putting anthropology to work in the world, this revised edition contains updates on a number of topics, including AI, and contains expanded sections on career preparation and job hunting.

This book will help both undergraduate and graduate anthropology students prepare themselves for careers outside the university and to use their anthropological skills and abilities in the government, private, and non-profit sectors.

Exploring Film through Bad Cinema offers an overview of the practice of film analysis through a specific focus on the concept of "bad" cinema within a series of broad cultural and historical contexts.

Providing a wide-ranging discussion of film from multiple perspectives, including history, aesthetics, and criticism, this broad theoretical engagement illustrates the ways in which the registers of value that we apply to film are inseparable from the wider discourses of taste that shape our culture. While loosely chronological, it is largely thematic in arrangement as it applies the traditional methods of film studies to in-depth discussions of some of the most notoriously (and compellingly) bad films in cinema history. Situating its analysis of a wide variety of films and filmmakers in terms of period, genre, and issues such as the emergence of narrative cinema, canon formation, and the politics of cultural hierarchy, it provides an in-depth consideration of the multiple and complex social and aesthetic discourses that shape our qualitative assessments of film.

Designed for both the lay reader and student of film, Exploring Film through Bad Cinema engages with a wide range of topics from film history and film theory to postmodernism, exploitation, and cult cinema. This theoretically and historically sophisticated analysis will appeal to researchers and scholars in film studies as well as cognate disciplines such as screen studies, visual studies, and cultural studies.

This collection showcases the language of "doing" sport, emphasizing the real-time talk of players and coaches during training and games toward elucidating real-time language use and encouraging effective sporting pedagogies. While there is established work at the intersection of linguistics and sport, this book places a particular focus on real-time participation, as opposed to media reporting or post-match commentary.

The volume is divided into two sections which look at language in action in sporting contexts, with the first part dedicated to player communication and the latter on coaches' engagement with players, to explore such issues as team building, leadership, player guidance, and instruction through language. Examples are drawn from a wide range of sports across levels, including basketball; volleyball; Formula 1; rugby; cycling; and skiing across professional, amateur, and youth leagues. Taken together, the volume makes the case for an integrated social and linguistic perspective on language use in sport in real time to better understand its impact on players, foster more inclusive sporting pedagogies, and continue to grow sport research in interdisciplinary directions.

This book will be of interest to students and scholars in language and communication, applied linguistics, discourse analysis, sociolinguistics, and the sociology of sport.

This innovative book, Physical Activity, Physical Fitness and Depression, brings together critical reviews of issues in the relationship between physical activity, fitness, and depression, stimulating individual reflection and including debate on current research, methodologies, and applied practices. This book helps the reader understand the magnitude of depression as a disease that has increased its prevalence in recent decades and the other health problems associated with it. Since psychotherapy and pharmacotherapy are often used to treat depression, this exponentially increases health costs for national health systems. In addition, there are always side effects associated with pharmacotherapy. Therefore, other ways, less expensive and without side effects, for treating depression are important. This book outlines the ways that physical activity and physical fitness are viable options for preventing and treating depression. Designed as a supplementary textbook, Physical Activity, Physical Fitness and Depression is key reading for students and academics alike in the areas of sports science, sport psychology, sports therapy, and psychology, and with its thematic content, the book's allure extends to professionals, including practitioners, psychologists, psychiatrists, and sports organisations, who stand to gain valuable insights from its contents.

Focusing on an oft-neglected geographical region of study, this book critically analyses the state of journalism in the European South and considers challenges that may indicate a profession under duress.

Focusing on three Mediterranean media systems, Greece, Cyprus, and Malta, this book summarizes the basic characteristics, threats, and challenges for journalism in the region. The book first examines the "North-South" divide in Europe and the challenges Mediterranean media systems have faced in recent years. It then analyzes points of dispute for journalism, such as press freedom, investigative reporting, corruption, post-crisis economic challenges, and the evolving dilemmas of journalism ethics. The second section of the book looks more closely at the three case studies, using data extracted over a turbulent 20-year timeframe up until 2023. Based on a mixed-methods approach, the study comprises findings of interviews with journalists in the three countries under study and time series analysis of feedback regarding challenges discussed earlier in the book. The book concludes on whether journalism today is indeed under attack and reflects critically on what are the main threats that have emerged in media systems of the Mediterranean region.

This book will be of particular interest to scholars and researchers of journalism and media systems in Europe, although also bears implications for anyone studying wider issues of press freedom and journalism practice.

This second edition of the groundbreaking Routledge Companion to Mobile Media brings together newly commissioned essays and cutting-edge research alongside updated essays from the original volume to create a definitive guide to mobile communication studies.

The collection, which brings together original articles by a global roster of contributors from a variety of disciplines, sets out to contextualise the increasingly convergent areas surrounding social, geosocial, and mobile media discourses. Essays provide comprehensive and interdisciplinary models and approaches for analysing mobile media and draw upon a wide range of global case studies, from China, Africa, Southeast Asia, the Middle East, and Latin America to Europe, the UK and the US. This new edition also covers the many changes in the field over the last decade: from dating apps, AI, mobile phones, travel, games and digital transactions through drones, blockchain, microbilities, virtual reality, touch and haptic technology, to the role of mobile media in health, climate change, mobiles and electrification, digital migrant cultures, arts, creativity and politics-and beyond.

This second edition remains an essential resource for upper-level students, researchers and scholars interested in mobile media research.

This book illuminates arts activist interventions that raise consciousness and advocacy for women's right to a life free from violence.

In a context where gender-based violence (GBV) has continued to intensify across the globe, the international range of essays focuses on violations of bodily integrity and autonomy, reproductive, domestic and sexual violence, femicide and feminicide. Comparing and interrogating arts activist strategies and visual methods, the book also explores tactics employed by arts activists attentive to effects and lived experiences of GBV, and imagining potential solutions founded in feminist thinking to change behaviours and raise awareness generating systemic change. The case studies of feminist transnational contemporary arts activism include examples from Australia, Austria, Brazil, Canada, Croatia, Ghana, Guatemala, Hong Kong, Iraq, Japan, Kuwait, Mexico, Nepal, Poland, South Africa and the United States. Arts engaged include textile work, crafts-making, performance art, clay work, protest art, and documentary art, indicating the breadth and richness of the work of feminist political artists. At a time when, according to the UN Women's estimates, almost one in three women has been subjected to violence, it is critical to understand how feminist politics catalyses social, cultural, and political changes.

This book will be of interest to scholars working in art history, women's studies, gender studies, and visual culture.

This provocative book challenges frequently voiced assertions regarding museums as necessary and valued modern institutions. It raises fundamental, existential questions about contemporary museums as products of the modern colonial world order.

Drawing on practical examples of collecting and exhibiting, theoretical research, and critique from diverse countries across the globe, including Chile, India, Korea, the Netherlands, Nigeria, Palestine, Portugal, Sri Lanka and the United States, this book moves beyond the conventional Eurocentric museological framework. This book synthesizes contemporary critiques of museums, while arguing that societies need the sociocultural examinations that museums are capable of facilitating and that radical transformations of "the museum" are fraught with difficulty, but also possible and necessary. Ultimately, Coffee argues that museums can only be future orientated if they are transformed into agents of social justice and inclusion, divestors of illicit collections, and proponents of a liberatory ethic, opposing neo-colonialism in all of its forms. During that transformative process, as this book demonstrates, museum practice and museum theory must also be transformed.

The End of the Museum: Culture, Colonialism, and Liberation will appeal to students, researchers, and practitioners interested in a critical examination of museum work and theory.

Representing the first collection of its kind, The Routledge Companion to Visual Journalism introduces fundamental topics and ideas, delineates the diversity and complexity of this growing field, and creates a foundation for future scholarship and study.

In the contemporary digital media landscape, still and moving images, interactive visualizations and virtual reality are increasingly important to attract attention, cultivate engagement, inform and influence opinions, and provide a more emotive and immediate viewing experience for news audiences. This Companion draws together leading voices from academia and industry to survey this dynamic and ubiquitous mode and inspire dialogue. Along with an introduction and conclusion, the volume is structured in five sections and covers people and identities; practices and processes; technologies, equipment, and forms; theories, concepts, and values; and audience interpretation and impact. Beginning by looking at the history of visual news, chapters go on to explore how visual news is created; how journalists visually represent gender, race, sexuality, (dis)ability, "elites," and ordinary citizens; key ethical ideas and theories behind the creation of visual news; and how visual news is processed, drawing in research from eye-tracking, media psychology, and media literacy. The book ends with a critical look at the future of the field.

The Routledge Companion to Visual Journalism is a recommended resource for all advanced students and researchers of visual journalism and communication and will also be of interest to practitioners in these fields.

Designing Questionnaires for Language Studies is a guide to the design and use of questionnaires for empirical linguistic research, particularly in the areas of dialectology, sociolinguistics, and linguistic anthropology. Whether completed via written correspondence or through interviewing, questionnaires play an essential role in linguistic research. Yet, the design of questionnaires is rarely taught formally, leaving researchers to learn effective design in practice. This practical and accessible text offers structured, step-by-step guidance to provide researchers with the skills they need to make the most of questionnaire-based research. It also provides a history of the use of questionnaires in linguistic research and critically examines the assumptions and motivations inherent in their creation and administration, as well as that of the questions that populate them, and discusses how biases can negatively affect the outcome of the research itself. Experience using these tools in the field has led to their refinement over time. Armed with this knowledge, readers can make informed decisions about how to structure their own questionnaires as they embark on linguistic investigations or use it to better understand the results of previous research that has relied on questionnaires for data collection.

This book focuses on Greenlandic oral history and how to better understand people, their cultural remains, and their landscape through their own stories. It offers a way to consult Inuit oral history that opens up a perspective on houses and landscapes that may otherwise be invisible to the barren eye. Working with and re-activating Indigenous knowledge of Greenland, the study draws on more than two thousand stories collected between 1735 and 1981, preserved, and later enrolled in an online and searchable database. The author unearths the concepts woven into Greenlandic Inuit's homes, settlements, and landscapes. These re-discovered insights challenge the archaeological interpretation, transcending the tangible to illuminate the unseen. The narratives contribute to safeguarding invaluable Indigenous knowledge and perhaps also to the revival of cultural practices, customs, and traditions. The book demonstrates how oral history is more than merely fantastical 'myths' and 'legends'; it is valuable knowledge for scholars and communities. It will be of particular interest for scholars of Indigenous studies, anthropology, archaeology, and history.

Jung and Star Wars is a comprehensive deep dive, analyzing the Star Wars phenomenon from the perspective of analytical psychology as a living mythology in our time.

Drawing from Jungian perspectives, as well as the influence of both Joseph Campbell and James Hillman, this book examines the rich characters and history of the saga using concepts developed in the field of analytical psychology. It explores Disney's acquisition of Lucasfilm in 2012 and the concept of canon, as well as examining the Force and a number of iconic characters, including Yoda, Luke Skywalker, Darth Vader, Princess Leia Organa, and more. By coming to understand the psychological ground of its mythic aspects, we learn to see Star Wars as a grand narrative of the human condition.

With Star Wars being ubiquitous in mainstream pop culture, this book will be of interest to both Jungian analysts and scholars, as well as academics in the fields of film studies and popular culture, offering a fresh and lesser-known perspective on depth psychology.

This fascinating new book lifts the lid on the rapidly growing esports industry to examine its human dimension, exploring the career paths, performance, and wellbeing of esports players, as well as the marketing, media, and venue strategies that can keep fans engaged across the life course.

The book introduces the fundamentals of esports for the reader who may not have prior knowledge, including key concepts and terminology. This book draws on recent research from psychology, high performance, business, and management. It explores key issues in contemporary esports, including skill development, health and fitness, career transitions, live streaming, sponsorship, consumer behaviour, and social identity in esports. Furthermore, the book examines special populations within the esports community, from parents of esports players to older adults. Every chapter opens with a thought-provoking question and contains real-world case studies from around the world.

Offering a unique set of perspectives on esports and adding depth to the reading list for any esports course, this is essential reading for any student, researcher, or practitioner looking to better understand the esports industry.

This book unveils the hidden secrets of psychoanalytic thought for the field of sport integrity, sport ethics and the social sport sciences. It presents several inviting conceptual frameworks to unveil the opportunities in applying psychoanalysis to sport. Psychoanalysis brings the uncomfortable truth that 'reality' is only accessible through the impasses of subjective imagination. Thanks to psychoanalysis, we have become aware that an undetermined part of human actions might originate from an unconscious part of the psyche. This unconscious is not reducible to (a physical part of) the brain but covers our whole being. As such, psychoanalytic thought represents a secret but no less influential discourse on the roots of modern sport, a discourse that focuses on the libidinous origins of sport. A challenging turn to make for the currently dominating field-of-knowledge about sport. This book aims to explore the potential of a psychoanalytic approach in improving sport integrity, by presenting a diverse conceptual framework. The aim is to open up to the opportunities a psychoanalytic analysis offers, without pretending to be exhaustive, as there are many different roots and schools in the field of psychoanalysis.

This book was originally published as a special issue of Sport, Ethics and Philosophy.

This timely book captures recent developments in artificial intelligence (AI) and their far-reaching implications across education, cognition, business, healthcare, and environmental sectors.

Drawing from current academic research, government reports, and industry insights, Integrating Human and Artificial Intelligence provides a comprehensive yet accessible overview of the rapid evolution of AI. It helps readers understand in non-technical terms what AI is, what it is capable of achieving, and how to combine the best skills of artificial and human intelligence to develop a human-centered AI. This will be vital to overcome challenges to protect data privacy, promote fairness, minimize bias, and be culturally responsive. The book's broad scope and contemporary focus make it a welcome addition to the field, especially as an educational resource introducing students and practitioners to the practical applications and societal impact of AI.

Well-grounded in recent scholarship, this book will be particularly valuable for students and researchers of cognitive psychology, AI, and technology.

This book investigates the complex role space and movement play in the representation of South Asian diasporic communities in contemporary diaspora literature and films, the question of female empowerment in neoliberal Western cities, and the impact of trauma on female identities. It highlights the literary and cinematic portrayal of South Asian people's migration to the UK and the US after the Second World War and discusses how the identities of the female characters are transformed in neoliberal cities. Focusing on South Asian women writers and directors, who are first- and second-generation immigrants in the West, the volume analyses how their works depict female empowerment in both British and American settings.

The book will be of great interest to scholars and researchers of literature, film studies, diaspora studies, gender studies, and South Asian studies.

An innovative edited collection which examines fandom in marginalized communities from an empirically based, media psychology perspective.

This book specifically focuses on fandom communities and cultures as spaces for marginalized individuals - LGBTQ+, BIPOC, and more - to gather, engage with one another, and create their own representation to disrupt dominant, societal discourse as presented in the mainstream media. Edited by Leah Dajches and Jennifer Stevens Aubrey, the collection features the work of well-known scholars currently working within the disciplines of fan studies and media effects, as well as new and emerging voices in these fields. Made up of innovative theoretical and empirical contributions, the book is organized into three key sections: (I) Theoretical Advances in Fandom Media Effects, (II) Individual Fandom Communities and Media Effects, and (III) Innovative Methodological Approaches to Fandom. This collection highlights how fandom communities and cultures can function uniquely for those with identities based within marginalized communities.

A must-read for upper-level students, researchers, and scholars interested in the intersection between fandom and fan studies, media effects, and media psychology.

Comics Beyond Text and Image conceptualizes comics as "bodies," exploring the substance and the many movements and expressions of comics first and foremost in terms of corporeality.

The book centers on the metaphor of the comics body as a way of opening up our understandings of what comics do. It begins from the position that narrative in comics is corporeal, expressed in and through the visual bodies into which the page can be divided analytically, and from the interaction of the human body with the comics body. Drawing on the philosophy of Baruch Spinoza, the author argues for the primary role of visual narration over textual narration, develops a theory of the comics text as a cohesive and variegated cartography, and shows how thought is expressed in the extensive space of the comics page. This theory is then applied in snapshots of individual comics works that each in their own way continue the philosophical discussions of embodiment.

This book moves beyond traditional modes of narration or narrative and will appeal to students and scholars of comics studies, as well as to those thinking about visual narrative more broadly, and to scholars of Spinoza and Deleuze.

In Post-Colonial Realism, Hanna Samir Kassab develops a theoretical framework to explain, understand, and predict international conflict, placing culture at the center of international political analysis.

Kassab contends that nationalism, a belief system, forms an intervening variable that shapes the foreign policy behavior of states. Studying food is central to understanding nationalist belief systems that shape international politics. By combining theories of nationalism with post-colonialist understandings of cultural revitalization, Kassab conceptualizes state motivation to understand how cultural symbols shape nationalist identities, to see the fault lines of civilization through food, and to appreciate the centrality of identity issues. Using ethnography to understand food ownership as part of nationalist conflict, Kassab examines neighboring states (Greece, North Macedonia, Turkey and Armenia) alongside India. In each country study chapter, he compares at least two nationalisms and views of cuisine ownership. He later maps out potential future flashpoints as the international system becomes increasingly competitive due to the changing structure of the international system: unipolarity to multipolarity.

Post-Colonial Realism offers a more robust and flexible theory of international relations, concentrating not on abstractions but on individuals and their collective beliefs.