In Experimental Histories, Hannah Weaver examines the medieval practice of interpolation-inserting material from one text into another-which is often categorized as being a problematic, inauthentic phenomenon akin to forgery and pseudepigraphy. Instead, Weaver promotes interpolation as the signature form of medieval British historiography and a vehicle of historical theory, arguing that some of the most novel concepts of time in medieval historiography can be found in these altered narratives of the past.

For Weaver, historiographical interpolation constitutes the traces of active experimentation with how best to write history, particularly the history of Britain. Historians in twelfth- and thirteenth-century Britain recognized the difficulty of enfolding complex events into a linear chronology and embraced innovative textual methods of creating history. Focusing on the Brut tradition but also analyzing the long history of interpolated historiography, including the Bayeux Embroidery, Experimental Histories offers a new interpretation of generic remixing in medieval writing about the past. Drawing on both manuscript studies and the new formalism, it shows that the practice of inserting materials from romance and hagiography allowed creative revisers to explore how lived events relate to passing time. By embracing interpolation, Weaver provides lively insights into the ways that time becomes history and human actors experience time.

Byzantine Media Subjects invites readers into a world replete with images-icons, frescoes, and mosaics filling places of worship, politics, and community. Glenn Peers asks readers to think themselves into a world where representation reigned and humans followed, and indeed were formed. Interrogating the fundamental role of representation in the making of the Byzantine human, Peers argues that Byzantine culture was (already) posthuman.

The Byzantine experience reveals the extent to which media like icons, manuscripts, music, animals, and mirrors fundamentally determine humans. In the Byzantine world, representation as such was deeply persuasive, even coercive; it had the power to affect human relationships, produce conflict, and form self-perception. Media studies has made its subject the modern world, but this book argues for media having made historical subjects. Here, it is shown that media long ago also made Byzantine humans, defining them, molding them, mediating their relationship to time, to nature, to God, and to themselves.

In The Last Ta'ifa, Anthony H. Minnema shows how the Banu Hud, an Arab dynasty from Zaragoza, created and recreated their vision of an autonomous city-state (ta'ifa) in ways that reveal changes to legitimating strategies in al-Andalus and across the Mediterranean. In 1110, the Banu Hud lost control of their emirate in the north of Iberia and entered exile, ending their century-long rule. But far from accepting their fate, the dynasty adapted by serving Christian kings, nurturing rebellions, and carving out a new state in Murcia to recover, maintain, and grow their power. By tracing the Banu Hud across chronicles, charters, and coinage, Minnema shows how dynastic leaders borrowed their rivals' claims and symbols and engaged in similar types of military campaigns and complex alliances in an effort to cultivate authority.

Drawing on Arabic, Latin, and vernacular sources, The Last Ta'ifa uses the history of the Banu Hud to connect the pursuit of legitimacy in al-Andalus to the politics of other emerging kingdoms and emirates. The actions of Hudid leaders, Minnema shows, echoed across the region as other kings, rebels, and adventurers employed parallel methods to gain power and resist the forces of centralization, highlighting the constructed nature of legitimacy in al-Andalus and the Mediterranean.

The Tree and the Column examines the bronze door of Hildesheim Cathedral, which is not only a masterpiece of Ottonian art but is among the most recognizable and studied works of medieval sculpture. Commissioned by Bishop Bernward of Hildesheim and cast around 1015, the door's two leaves feature the oldest-known monumental image cycle in German sculpture, depicting significant events from the Old and New Testaments. Isabelle Marchesin closely reads each of the door's sixteen panels, analyzing the detailed iconography to excavate the elaborate theological and deeply spiritual significance of the biblical scenes cast into metal.

Studying the door's technical, material, political, and theological dimensions, Marchesin argues that Bernward intended the cathedral door to be read and reread like scripture so that unifying messages about God's presence in the world could be understood. Featuring nearly two hundred detailed color photographs of the panels that reveal their remarkable artistry and materiality, The Tree and the Column offers an innovative explication of a total work of medieval art.

This book aims to explore different aspects of networks in relation to the archaeology of buildings. It is divided into three major themes: the trade in materials, the exchange of knowledge (of techniques and/or materials), and the exchange of style. Within each of these themes, two primary aspects are addressed-notably, who were the actors and how did the network function?

In medieval and post-medieval Europe, the development of buildings, of style and the use of material, cannot be understood from a local, regional or even national perspective. Not only were the borders different than in modern-day Europe, but the contacts of inhabitants also transcended local and regional boundaries. This volume describes the continuous exchange of aesthetic ideals, technological developments and building materials during this period. This volume is a culmination of four years of sessions held at the European Archaeology Association (EAA) conference between 2016-2020 on the topic. It is of interest to archaeologists, architects, and scholars of built heritage.

This book explores the location of spirituality and mysticism in modern Indian religious and intellectual life. It examines select personalities and their ideas since the early twentieth century, their role in the interwoven spheres of socio-religious and political thought, and in burgeoning spiritual imaginaries, often at the intersection of academic and public discourse. As part of a global ecumene connected by affective bonds, these spiritual cosmopolitans often defied binary frameworks (East/ West; imperial core/ periphery; colonizer/ colonized), and in the upshot reappraised and recast the very concept of religion in response to overarching 'this-worldly' exigencies.

This book articulates international political theory in dialogue with economics on several questions. It asks: how has modern international theory been adjusted and nourished by economic ideas, theories and practices? How far has the distinctive contribution of some theorists to international theory been informed by their views on economy? What has been the impact of the theory of the state for economic and international theory? What sort of economic thinking has led to revise the debates constitutive for the modern international realm? How have economic debates been rhetorically connected to political debates in the field of international relations?

This volume explains how scientometrics can be used in understanding the research studies in applied linguistics and will assist applied linguists to examine different aspects of the research performed in their field. The book covers a diachronic and synchronic empirical analysis of research practices, concepts, and phenomena in applied linguistics. It builds upon the ideas and experience of international researchers and provides the reader with creative methods to apply the scientometric principles in their applied research.

Aimed at emerging applied linguistics researchers, researcher-practitioners, and MA and PhD students, this book provides a wealth of research ideas for further analysis, to strengthen the knowledge of the field, and to help digest research practices, research publications, research trends, research policies, and research methods. The book will also be useful for the well-established applied linguistics researchers who are interested in a reconceptualization of the field.

Academic Research, Publishing and Writing: Critical Thinking and Strategies for Business Scholars is designed for all scholars of business and management and outlines practical and proven ways of designing, developing, and executing impactful research and writing projects with a view to eventual publication.

Chapters examine a wide range of essential scholarly practices in depth, including critical thinking and the IDEALS Framework, undertaking literature reviews, designing research for reliability, validity and generalisations, and understanding writing structure using IDEALS.

John Dumay draws on experience and proven strategies to help the reader plot what they are going to research, what the potential impact of that research should be, what are the critical outlets for publishing are, and how should the research be written for the target audience.

At the projects core is a strong focus on the importance on developing a strategy before starting the research which will increase the chances of publishing in high quality outlets, and surviving in the 'publish or perish' world.