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Offers a panoramic view of recent Korean history through Korean cinema.

Screens of Biopolitics surveys Korean films produced between the IMF receivership of 1997 and the martial law crisis of 2024/2025. The book is divided into two parts that explore the two faces of biopolitics in Korean cinema. The first part illuminates the way Korean cinema represents sovereign violence with a series of states of exception, guided by biopolitical philosophies of Giorgio Agamben, Roberto Esposito, and Walter Benjamin. It considers how films such as The Man Standing Next, 12.12: The Day, Peppermint Candy, and 1987 represent major historical events such as the assassination of President Park, the 12.12 Coup, the Gwangju Uprising, and the 1987 struggles. The second part of the book, inspired by Michel Foucault's biopolitical philosophy of governmentality with which he analyzed neoliberalism, explores Korean films that illustrate neoliberal social order. Starting with Default, a movie about the IMF receivership, and moving through such films as Sympathy for Mr. Vengeance, Parasite, Train to Busan, and Peninsula, the second half investigates how neoliberalism has been installed in Korea, spreading to all realms of life, from the family structure to the educational system, to handling fatigue, and to the younger generation's subcultures. Screens of Biopolitics offers readers a panoramic view of modern Korean history through Korean cinema with biopolitical philosophies.