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Ranging from ancient Greece to the atom bomb, Tony Barnstone reveals how modernist poet and physician William Carlos Williams pioneered "cyborg modernism"-a fusion of technoscience and the humanities that anticipates contemporary posthumanist theory.

Barnstone argues that Williams, a true "poet of reality," deployed revolutionary cyborg esthetics that merged organic and mechanical elements, portraying humans as biomechanical hybrids while challenging traditional dualisms between mind and matter, human and machine. The study reveals how Williams transcended C.P. Snow's "Two Cultures" divide, forging a synthetic approach that collapsed the artificial barriers between scientific and humanistic inquiry. Barnstone also argues that Williams' work engaged profoundly with the era's scientific advancements and anxieties.

Through four interconnected sections-God Machines, Art Machines, Mind Machines, and War Machines-this book explores how Williams transformed the creative process itself, analogizing it to scientific method while fashioning art objects into "machines made out of words" that manifest geometric forms, machine motion, and probable outcomes. The Cyborg Modernism of William Carlos Williams unveils Williams' cyborg ideology that reimagined empathy as utility, seeking new forms of integrated thinking to counter the technoscientific horrors of world wars, death camps, and atomic bombs.