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L'Esthetique neoplatoniciennee : de Plotin a Marsile Ficin.
・ISBN 978-90-04-75638-0 hard EUR 179.00
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電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-90-04-75639-7
| 著者・編者 | Charrue, Jean-Michel, |
|---|---|
| シリーズ | Studies in Platonism, Neoplatonism, and the Platonic Tradition |
| 出版社 | (Brill, NE) |
| 出版年月 | 2026.06 |
| ページ数 | 352 pp. |
| 言語 | FRE |
| ニュース番号 | ＜767-25＞ |
解説
La Beaute plotinienne, simple comme l'eclair, non symetrique, devenue intelligible, ame et idee, transcendante comme le Bien, c'etait Ulysse, et non Narcisse. Dans l'Enneade 31, elle est reliee a l'Art, l'Intelligence, et la Sagesse, gravee dans les temples. Augustin aimait les Beautes, et a lu l'Hortensius. A Milan, ecrit a Cassiciacum, epris de Plotin, il devient chretien, sous Ambroise. La mystique de Ps-Denys, des tenebres a la lumiere influencera le Moyen Age, et la Hierarchie Celeste commentee par Scot Erigene et Hugues de Saint-Victor inspirera a Suger la basilique gothique. Ficin, (quinzieme siecle), le nouvel Orphee, promouvra cette Esthetique de la lumiere, reprendra Plotin, et expliquera a Lorenzo le Printemps.
The Beauty of Plotinus, simple as lightning, asymmetrical, intelligible, soul and idea, transcendent like Good, was Ulysses, not Narcissus. In the Ennead 31, it is linked to Art, Intelligence, and Wisdom, and engraved in temples. Later, Saint Augustine too loved Beauty and read the Hortensius. In Milan, whilst in Cassiciacum and enamoured with Plotinus, Saint Augustine converted to Christianity under Ambrose. The mysticism of Pseudo-Dionysius, from darkness to light, then influenced the Middle Ages, and his Celestial Hierarchy, commented on by Scotus Eriugena and Hugh of Saint Victor, would inspire Suger's writings on light, the divine and Gothic architecture. At last, Ficino (15th century), the new Orpheus, promoted Suger's Aesthetics of Light, studied Plotinus, and explained to Lorenzo de' Medici the painting Primavera.
The Beauty of Plotinus, simple as lightning, asymmetrical, intelligible, soul and idea, transcendent like Good, was Ulysses, not Narcissus. In the Ennead 31, it is linked to Art, Intelligence, and Wisdom, and engraved in temples. Later, Saint Augustine too loved Beauty and read the Hortensius. In Milan, whilst in Cassiciacum and enamoured with Plotinus, Saint Augustine converted to Christianity under Ambrose. The mysticism of Pseudo-Dionysius, from darkness to light, then influenced the Middle Ages, and his Celestial Hierarchy, commented on by Scotus Eriugena and Hugh of Saint Victor, would inspire Suger's writings on light, the divine and Gothic architecture. At last, Ficino (15th century), the new Orpheus, promoted Suger's Aesthetics of Light, studied Plotinus, and explained to Lorenzo de' Medici the painting Primavera.