株式会社極東書店トップ ＞ 商品一覧 ＞ Uncovering the Virgen Del Panecillo : Quito's Postcolonial Urban Transformations.
商品詳細
Uncovering the Virgen Del Panecillo : Quito's Postcolonial Urban Transformations.
・ISBN 978-0-252-04979-8 hard US$ 110.00
￥25,773.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
・ISBN 978-0-252-08946-6 paper US$ 28.00
￥6,560.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Celleri, Maria, |
|---|---|
| シリーズ | Dissident Feminisms |
| 出版社 | (U. Illinois Pr., US) |
| 出版年月 | 2026.06 |
| ページ数 | 184 pp. |
| 言語 | ENG |
| ニュース番号 | ＜763-861＞ |
解説
Taller than the Rio de Janiero's Christ the Redeemer statue, the Virgen del Panecillo draws visitors to the center of Quito, Ecuador, to take advantage of the site's unique view of the city. But few know the history behind El Panecillo or the monument.
Maria Celleri examines the eighty-year effort to complete Quito's soaring monument to the Virgin Mary. Focusing on the negotiations behind the project, Celleri uncovers the links between the government and Church-links that became stronger during moments of political and economic transition. Celleri also investigates how the city's residents and activists, and artists like filmmakers, graffiti artists, and photographers, interact with the monument. Throughout, she looks at questions like the Virgen del Panecillo's service to Ecuador as a form of cultural capital, the Virgen's symbolic meanings to different groups, and the often-hidden connections between colonialism, Catholicism, and artistic production.
Original and multifaceted, Uncovering the Virgen del Panecillo provides readers with a rigorous decolonial analysis of an iconic monument and its history.
Maria Celleri examines the eighty-year effort to complete Quito's soaring monument to the Virgin Mary. Focusing on the negotiations behind the project, Celleri uncovers the links between the government and Church-links that became stronger during moments of political and economic transition. Celleri also investigates how the city's residents and activists, and artists like filmmakers, graffiti artists, and photographers, interact with the monument. Throughout, she looks at questions like the Virgen del Panecillo's service to Ecuador as a form of cultural capital, the Virgen's symbolic meanings to different groups, and the often-hidden connections between colonialism, Catholicism, and artistic production.
Original and multifaceted, Uncovering the Virgen del Panecillo provides readers with a rigorous decolonial analysis of an iconic monument and its history.