株式会社極東書店トップ ＞ 商品一覧 ＞ No More Chainsaws : Feminist Criticism and the New Wave of Women's Horror Cinema.
商品詳細
No More Chainsaws : Feminist Criticism and the New Wave of Women's Horror Cinema.
・ISBN 978-1-9788-2430-0 hard US$ 120.00
￥28,116.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
・ISBN 978-1-9788-2429-4 paper US$ 29.95
￥7,016.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Vena, Dan, |
|---|---|
| 出版社 | (Rutgers U. Pr., US) |
| 出版年月 | 2026.04 |
| ページ数 | 208 pp. |
| 言語 | ENG |
| ニュース番号 | ＜763-1061＞ |
解説
"Welcome to the Golden Age of Women-Directed Horror." Over the last fifteen years, there has been a sustained global influx of women artists working in mainstream and independent horror cinemas earning notable public and industry acclaim. As a result, now, for the first time in horror history, there is also a concentrated corpus of films that explicitly address topics of identity, sexuality, trauma, and monstrosity from women's perspectives. No More Chainsaws offers an in-depth analysis of some of the earliest and underrated releases within this New Wave of Women's Horror cinema: Catherine Hardwicke'sTwilight (2008), Karyn Kusama's Jennifer's Body (2009), Jennifer and Sylvia Soska's American Mary (2012), and Kimberly Peirce's Carrie (2013). No More Chainsaws articulates the ways in which these contemporary films attempt to liberate horror from an over-determining gendered lexicon of violence and terror.