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The Divided City and Its New Cinemas, 1920-1980.
・ISBN 978-0-252-04971-2 hard US$ 125.00
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お気に入り
★★★
・ISBN 978-0-252-08936-7 paper US$ 30.00
¥7,029.- (税込) ※(※)価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Murphy, Amy, |
|---|---|
| シリーズ | The History of Media and Communication |
| 出版社 | (U. Illinois Pr., US) |
| 出版年月 | 2026.03 |
| ページ数 | 296 pp. |
| 言語 | ENG |
| ニュース番号 | <763-1060> |
解説
Film offers a powerful witness to the historical effects of segregation. Twentieth-century American urban policy favored "white flight" to the suburbs while confining other racial and ethnic groups in urban cores. Mainstream cinema, in turn, perpetuated racial stereotypes that justified this confinement. Amy Murphy revisits this history via six independent films, each mapping a distinct urban geography at a particular moment in the century.
Murphy's analysis reveals that certain veins of postwar independent filmmaking grew out of specific policy failures of the American city. With increased access to media production, such filmmakers created new cinemas from within the segregated city that expanded avenues for self-representation.
Informed and insightful, The Divided City and Its New Cinemas, 1920-1980 examines how often-raw independent films pioneered cinematic exploration of identities impacted by space and time, and by geography and history.
Murphy's analysis reveals that certain veins of postwar independent filmmaking grew out of specific policy failures of the American city. With increased access to media production, such filmmakers created new cinemas from within the segregated city that expanded avenues for self-representation.
Informed and insightful, The Divided City and Its New Cinemas, 1920-1980 examines how often-raw independent films pioneered cinematic exploration of identities impacted by space and time, and by geography and history.