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This book focuses on the liminality and experiences of Filipino migrant musicians in Australia in relation to their identities and positionalities as migrants, professionals, labour force, musicians, and members of the multicultural community. Over 40 interviews with Filipino musicians living in Australia connect phenomena and issues surrounding transnational labour migration and the performance of musicians from other migrant backgrounds. Scholars and students interested in cultural sociology, ethnomusicology, popular music studies, cultural studies, migration, diaspora studies and Southeast Asian studies gain insights from the compelling stories in both scope and nuance, which are applicable in a broader multicultural context and the transnational as well as local music industry. Deploying important concepts such as liminality and marginality, the book is interdisciplinary and offers fresh empirical, theoretical and methodological takes on transnational migration and migrant representation in the music industry. More importantly, it highlights the involvement of an underrepresented group in a vulnerable and undervalued profession, to increase participation of migrants in the Australian and global music industry.