株式会社極東書店トップ ＞ 商品一覧 ＞ Japanese Horror Cinema and Deleuze: Interrogating and Reconceptualizing Dominant Modes of Thought.
商品詳細
Japanese Horror Cinema and Deleuze: Interrogating and Reconceptualizing Dominant Modes of Thought.
・ISBN 978-1-5013-6829-5 hard US$ 135.00
￥31,630.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
| 著者・編者 | Barraclough, Rachel Elizabeth, |
|---|---|
| 出版社 | (Bloomsbury Academic, US) |
| 出版年月 | 2022 |
| ページ数 | 264 pp. |
| 言語 | ENG |
| ニュース番号 | ＜A05-21445＞ |
解説
Using theories of national, transnational and world cinema, and genre theories and psychoanalysis as the basis of its argument, Japanese Horror Cinema and Deleuze argues that these understandings of Japanese horror films can be extended in new ways through the philosophy of Deleuze.
In particular, the complexities and nuances of how films like Ju-On: The Grudge (2002), Audition (1999) and Kairo (2001) (and beyond) form dynamic, transformative global networks between industries, directors and audiences can be considered. Furthermore, understandings of how key horror tropes and motifs apply to these films (and others more broadly), such as the idea of the "monstrous-feminine", can be transformed, allowing these models to become more flexible.