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Non-Cinema: Global Digital Film-making and the Multitude.
・ISBN 978-1-5013-2729-2 hard US$ 190.00
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| 著者・編者 | Brown, William, |
|---|---|
| シリーズ | (Thinking Cinema) |
| 出版社 | (Bloomsbury Academic, US) |
| 出版年月 | 2018 |
| ページ数 | 312 pp. |
| 言語 | ENG |
| ニュース番号 | <A05-20361> |
解説
Non-Cinema: Global Digital Film-making and the Multitude provides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. It draws upon a wide range of western and non-western philosophers, physicists, theorists of 'Third Cinema,' and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded - the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence "non-cinema."
Analysing numerous films, William Brown argues that contemporary low-budget digital cinema is also through its digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith. Non-Cinema constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa.