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商品詳細
Nakanishi Natsuyuki and the Global History of Postwar and Contemporary Sculpture: Accounting for Assemblage.
・ISBN 978-1-032-85963-7 hard GB£ 155.00
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| 著者・編者 | Adler, Dan, |
|---|---|
| シリーズ | (Routledge Research in Art History) |
| 出版社 | (Routledge, UK) |
| 出版年月 | 2026 |
| ページ数 | 216 pp. |
| 言語 | ENG |
| ニュース番号 | ＜A05-5123＞ |
解説
As the first book-length study of Nakanishi Natsuyuki's sculptural practice, this volume explores his assemblages in dialogue with the postwar history of sculpture as a global phenomenon in the 1960s and beyond.
Nakanishi's series of Compact Objects (produced from 1962 to 1968) allow for a reconsideration of the role of assemblage within cultural tendencies of the postwar and contemporary periods, both within and without Japan. This role forefronts the concepts of intimacy and interactivity-as well as ritual and process-within the context of sculptural experience. Nakanishi's critique of consumerism and conformity within these works-along with his experimentation with new plastic technologies-allows for a comparative treatment that includes a variety of movements and tendencies in Japan, Europe, and the US, including Minimalism, Fluxus, Neo-Dada, and Nouveau realisme, among others. The final portions of the book offer a wider and global context of postwar and contemporary tendencies towards assemblage, including an in-depth study of a multisensory exhibition by Yuko Mohri, held at the Venice Biennale in 2024.
The book will be of interest to scholars working in art history, contemporary art, and Japanese studies.