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Taking Fiction Film Seriously : A Philosophical Approach to Cinema Studies.
・ISBN 978-1-350-50567-4 hard GB£ 75.00
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・ISBN 978-1-350-50571-1 paper GB£ 24.99
￥7,916.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
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電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-1-350-50570-4
| 著者・編者 | Slugan, Mario, |
|---|---|
| 出版社 | (Bloomsbury Academic, UK) |
| 出版年月 | 2025.10 |
| ページ数 | 272 pp. |
| 言語 | ENG |
| ニュース番号 | ＜757-1577＞ |
解説
Fiction film has been and remains the privileged site of film studies, with film history regularly being viewed as the rise of the narrative fiction film. Taking Fiction Film Seriously argues that despite this privileged position, the notion of fiction as it relates to cinema, has yet to be properly interrogated.
Mario Slugan explores the significant misunderstandings concerning the categorisation of film, audience experience, and the real-life effects of fiction. He contends with the contradictory assumption that fiction films have tangible effects on audiences' beliefs and behaviours, while also intuitively being 'not true' or not to be believed in.
Slugan analyses the notion of 'fiction' from a theoretical and historical perspective, considering how it manifests in a broad range of films from the past 130 years, including The Arrival of a Train (Lumiere brothers, 1895-1897), The Blair Witch Project (Myrick and Sanchez, 1999), and Waltz with Bashir (Folman, 2008). He supports his close readings with findings from philosophy, psychology, and literary studies, and in doing so seeks to challenge the current state of film studies.