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A cogent reconsideration of Assayas's cinematic oeuvre and what it teaches us about the political today

The films of Olivier Assayas are widely celebrated for their complex responses to the many shifts that globalization has introduced in our time. Brian Price contends that they offer a different way of regarding the so-called problem of cultural and political enmeshment that Carl Schmitt and other conservative thinkers fear, including a contention that enmeshment is not a problem at all, in fact, but rather a different mode of social and political organization. Price puts Assayas's films in dialogue not only with Schmitt's theory of the political but also with the history of political philosophy after Schmitt, especially in the work of Hannah Arendt, Jacques Derrida, and Chantal Mouffe, all of whom have attempted to reckon with the friend/enemy dynamic at the core of the political.

At the heart of Assayas's cinematic oeuvre, and of this book, is a reflection on what it means to be politically serious, which, Price shows, cannot be reduced to criteria that can simply be applied or repeated. The boundaries between the political and the varied forms of the social demand a sensitivity to change and the unknown, none of which can be accessed in the states of absolute certainty that are derived from crises that do not repeat in the same ways. The messiness and nuances of modern life are held together by moving images, which insist that we know why we value what we demand and seek to protect.