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Lauren Gunderson and Feminist Theatre in the Twenty-First Century.
・ISBN 978-1-009-48740-5 paper GB£ 18.00
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| 著者・編者 | Hernando-Real, Noelia, |
|---|---|
| シリーズ | (Elements in Women Theatre Makers) |
| 出版社 | (Cambridge University Press, UK) |
| 出版年月 | 2025 |
| ページ数 | 75 pp. |
| 言語 | ENG |
| ニュース番号 | ＜A04-92956＞ |
解説
This Element is the first scholarly study of the theatre of Lauren Gunderson (b. 1982), one of the most produced US playwrights and a self-declared feminist playwright. Her feminist claims and theatrical interventions are assessed through four key strands of her theatre making: parodies of Shakespeare's canon; women-centred revisions to history; women and illness; and 'entertaining' feminism through popular theatre forms. Moving between the mainstream and the experimental, her theatre ranges from realism and quasi well-made plays to the experimental in a postmodern/Brechtian fashion, inviting consideration of the form(s) deployed for staging feminism in the twenty-first century. The Element discusses how Gunderson adapts the legacies of second-wave feminist theatre in the US to provide accessible experimental theatre and how she adopts popular genres in the interest of popular feminisms, giving way to an 'in-between' feminist practice: a feminist-theatre pathway that lies somewhere 'in between' the second-wave past and new directions.