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A color time-varying image can be described as a three-dimensional vector (representing the colors in an appropriate color space) defined on a three-dimensional spatiotemporal space. In conventional analog television a one-dimensional signal suitable for transmission over a communication channel is obtained by sampling the scene in the vertical and tem- poral directions and by frequency-multiplexing the luminance and chrominance informa- tion. In digital processing and transmission systems, sampling is applied in the horizontal direction, too, on a signal which has been already scanned in the vertical and temporal directions or directly in three dimensions when using some solid-state sensor. As a conse- quence, in recent years it has been considered quite natural to assess the potential advan- tages arising from an entire multidimensional approach to the processing of video signals. As a simple but significant example, a composite color video signal, such as the conven- tional PAL or NTSC signal, possesses a three-dimensional spectrum which, by using suitable three-dimensional filters, permits horizontal sampling at a rate which is less than that re- quired for correctly sampling the equivalent one-dimensional signal. More recently it has been widely recognized that the improvement of the picture quality in current and advanced television systems requires well-chosen signal processing algorithms which are multidimen- sional in nature within the demanding constraints of a real-time implementation.