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Pleasure, Play, and Politics : A History of Humor in U.S. Feminism.
・ISBN 978-1-4962-3953-2 hard US$ 99.00
¥23,195.- (税込) ※(※)価格はご注文時の参考価格となります。
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お気に入り
★★★
・ISBN 978-1-4962-4478-9 paper US$ 35.00
¥8,200.- (税込) ※(※)価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Leng, Kirsten, |
|---|---|
| シリーズ | Expanding Frontiers: Interdisciplinary Approaches to Studies of Women, Gender, and Sexuality |
| 出版社 | (U. Nebraska Pr., US) |
| 出版年月 | 2026.01 |
| ページ数 | 284 pp. |
| 言語 | ENG |
| ニュース番号 | <752-1140 752-1414> |
解説
Pleasure, Play, and Politics is the first book to examine the roles humor played in U.S. feminism during the late twentieth century. Based on extensive archival research, it brings to light the stunning, moving, and frankly hilarious ways feminists have used satire, irony, and spectacle as they worked to build a better world. The story it tells includes activism and music, political mobilization and cartooning, stand-up comedy and demands for change.
Kirsten Leng explores the ways culture and politics feed one another and shows how humor contributed to movement-building by changing hearts and minds, creating and maintaining a sense of community beyond a single issue, and sustaining activists over the long haul. The fascinating individuals, groups, and objects examined here-including the sex workers' rights group COYOTE, the Guerrilla Girls, Florynce Kennedy, and the Lesbian Avengers-don't just provide entertaining anecdotes or unsettle lazy assumptions that feminists are perennially dour and censorious: they offer a lesson or two for contemporary feminists and social justice activists. Taken together, they remind us that laughter can move us, that humor and anger can coexist, and that play and pleasure have a place in struggle.
Kirsten Leng explores the ways culture and politics feed one another and shows how humor contributed to movement-building by changing hearts and minds, creating and maintaining a sense of community beyond a single issue, and sustaining activists over the long haul. The fascinating individuals, groups, and objects examined here-including the sex workers' rights group COYOTE, the Guerrilla Girls, Florynce Kennedy, and the Lesbian Avengers-don't just provide entertaining anecdotes or unsettle lazy assumptions that feminists are perennially dour and censorious: they offer a lesson or two for contemporary feminists and social justice activists. Taken together, they remind us that laughter can move us, that humor and anger can coexist, and that play and pleasure have a place in struggle.