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Hegel, Marx, and the Laughing Matter of Spirit.
・ISBN 978-0-8101-4969-4 hard US$ 120.00
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お気に入り
★★★
・ISBN 978-0-8101-4968-7 paper US$ 36.00
￥8,434.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Aumiller, R. A., |
|---|---|
| 出版社 | (Northwestern U. Pr., US) |
| 出版年月 | 2025.11 |
| ページ数 | 216 pp. |
| 言語 | ENG |
| ニュース番号 | ＜751-107 751-29＞ |
解説
Excavating the comedic crack in historical repetitions
What happens when those who have been denied political subjectivity fully play out their negative role in a historical drama that damned them from the beginning? Hegel, Marx, and the Laughing Matter of Spirit locates the eruption of revolutionary laughter in historical cracks across nineteenth- and twentieth-century Europe, where exiled philosophers, partisan fighters, and artists framed their political resistance as a historical comedy. Hegelian comedy fuels the Young Hegelian critique of Prussian censorship, Walter Benjamin's staging of the anti-fascist resistance, and the Yugoslavian partisan attempt to begin again in fascism's aftermath. Revolution erupts from a historical stage that can no longer look on its own contradictions with a straight face. Drawing on the defiant spirit of comedy, this Hegelian feminist manifesto defies political despair, overturning the perception that history tragically repeats itself. Invoking the phrase "Nothing changes" as a mantra, R. A. Aumiller turns a concession of defeat into a battle cry for political resistance.
What happens when those who have been denied political subjectivity fully play out their negative role in a historical drama that damned them from the beginning? Hegel, Marx, and the Laughing Matter of Spirit locates the eruption of revolutionary laughter in historical cracks across nineteenth- and twentieth-century Europe, where exiled philosophers, partisan fighters, and artists framed their political resistance as a historical comedy. Hegelian comedy fuels the Young Hegelian critique of Prussian censorship, Walter Benjamin's staging of the anti-fascist resistance, and the Yugoslavian partisan attempt to begin again in fascism's aftermath. Revolution erupts from a historical stage that can no longer look on its own contradictions with a straight face. Drawing on the defiant spirit of comedy, this Hegelian feminist manifesto defies political despair, overturning the perception that history tragically repeats itself. Invoking the phrase "Nothing changes" as a mantra, R. A. Aumiller turns a concession of defeat into a battle cry for political resistance.