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Cinephilia and the Adventure for Existential Health : Recomposing Subjectivity at the Cinema.
・ISBN 978-0-8101-4915-1 hard US$ 110.00
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お気に入り
★★★
・ISBN 978-0-8101-4914-4 paper US$ 34.00
¥7,966.- (税込) ※(※)価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Szymanski, Adam, |
|---|---|
| シリーズ | Superimpositions |
| 出版社 | (Northwestern U. Pr., US) |
| 出版年月 | 2025.09 |
| ページ数 | 176 pp. |
| 言語 | ENG |
| ニュース番号 | <751-1014> |
解説
Exploring how art cinema cultivates existential health through the films of Olivier Assayas
This book proposes that cinephilia can facilitate existential health, which makes palpable the potential for subjectivity to be recomposed through meaningful encounters with cinema. Cinephilia and the Adventure for Existential Health: Recomposing Subjectivity at the Cinema draws on the ethos of psychoanalyst Fe lix Guattari and thinks with select films from director Olivier Assayas - including Clouds of Sils Maria and Personal Shopper - to theorize how the cinema can be invested with therapeutic value. Adam Szymanski engages the history of psychoanalytic film theory, excavates its long-standing concern with the production of spectatorial subjectivity, and challenges pathologizing understandings of cinema spectatorship couched in identification, fetishism, and voyeurism. By embracing the indeterminacy of the cinematic experience and the adventurous disposition of cinephilia, the book allies itself to the pursuit of collective health, challenging the logic of medical power in favor of life's indeterminate quality.
This book proposes that cinephilia can facilitate existential health, which makes palpable the potential for subjectivity to be recomposed through meaningful encounters with cinema. Cinephilia and the Adventure for Existential Health: Recomposing Subjectivity at the Cinema draws on the ethos of psychoanalyst Fe lix Guattari and thinks with select films from director Olivier Assayas - including Clouds of Sils Maria and Personal Shopper - to theorize how the cinema can be invested with therapeutic value. Adam Szymanski engages the history of psychoanalytic film theory, excavates its long-standing concern with the production of spectatorial subjectivity, and challenges pathologizing understandings of cinema spectatorship couched in identification, fetishism, and voyeurism. By embracing the indeterminacy of the cinematic experience and the adventurous disposition of cinephilia, the book allies itself to the pursuit of collective health, challenging the logic of medical power in favor of life's indeterminate quality.