株式会社極東書店トップ > 商品一覧 > Exploring Doctor Who Fandom Through Screenwriting Practice-As-Research : Otherness, Intersectionality and Fan Studies.
商品詳細
Exploring Doctor Who Fandom Through Screenwriting Practice-As-Research : Otherness, Intersectionality and Fan Studies.
・ISBN 978-1-032-72032-6 hard GB£ 171.99
¥54,486.- (税込) ※(※)価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
電子版あり 大学・学術機関向け電子ブック(eBook)ISBN 978-1-003-46673-4
| 著者・編者 | Beaton, Kathryn, |
|---|---|
| シリーズ | Routledge Advances in Film Studies |
| 出版社 | (Routledge, UK) |
| 出版年月 | 2025.09 |
| ページ数 | 220 pp. |
| 言語 | ENG |
| ニュース番号 | <750-1096> |
解説
Exploring Doctor Who Fandom Through Screenwriting Practice-As-Research: Otherness, Intersectionality and Fan Studies explores the diversity of fans and how they form and express their identity within fandom. Main themes in this book include otherness, fans with disabilities, fans within the LGBTQIA+ community, and how fandom can enrich the life of a fan.
This book asks readers how a fan develops and performs their identity and proposes a screenwriting practice methodology. Otherness in this scenario includes people who have disabilities are within the LGBTQIA+ spectrum and are neurodiverse. Screenwriting methodology also allows concepts such as disability, sexuality, and otherness to be humanized through characterization and world building as seen in screenwriting practice.
Exploring Doctor Who Fandom Through Screenwriting Practice-As-Research: Otherness, Intersectionality and Fan Studies examines world building, characterization, and story arcs that explore the development of fan identity and how otherness through fandom is expressed. It draws on the lived experience of the author as a disabled LGBTQIA+ aca-fan to add a layer of authenticity to the research. By offering a unique perspective on fandom and identity and how screenwriting methodology is a viable approach to researching these concepts, it looks to spread understanding of a neglected point of view and enhance future works.
Readers who would be interested in this book are scholars and students of fandom theory, screenwriting practice, and those interested in the development and expression of identity as a fan.