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Aerial Archives of Race : African American Cultural Expressions and the Black Nuclear Pacific. 竹谷悦子著 アフリカ系アメリカ人の文化的表現と黒人の核の太平洋
【Open Accessタイトル】
・ISBN 978-0-520-42520-0 hard US$ 95.00
￥22,258.- (税込) ※（※）価格はご注文時の参考価格となります。
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お気に入り
★★★
・ISBN 978-0-520-41677-2 paper US$ 34.95
￥8,188.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Taketani, Etsuko, |
|---|---|
| シリーズ | Transpacific Studies |
| 出版社 | (U. California Pr., US) |
| 出版年月 | 2026.01 |
| ページ数 | 230 pp. |
| 言語 | ENG |
| ニュース番号 | ＜749-1179 749-1235＞ |
解説
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.
Opening new archives and narratives that emerge when we take an aerial turn in transpacific studies, Etsuko Taketani examines the genealogy and contours of the aerial imaginary and the corollary shifting planetary imaginary that evolved in a transnational space she terms the "black nuclear Pacific." Following the first aerial drop of an atom bomb on humans and the subsequent military occupation of Japan by the United States, African American-Japanese encounters happened on a scale unimaginable before the war. Through texts from a diverse range of artists, writers, and political thinkers-such as the NAACP's Walter White, lawyer Edith Sampson, Josephine Baker, Langston Hughes, Lorraine Hansberry, and Malcolm X-who had formative interactions with occupied Japan, Taketani uncovers and analyzes African American cultural expressions that include a quasi-alien abduction narrative, a creation of a new tribe in the image of a rainbow on Earth, a black futuristic apocalypse, and a racial fantasy of the Mother Plane. Through these cultural expressions, Aerial Archives of Race tracks the black networks and exchanges with Japan from above that provoked new ways of thinking about (human) races on planet Earth.
Opening new archives and narratives that emerge when we take an aerial turn in transpacific studies, Etsuko Taketani examines the genealogy and contours of the aerial imaginary and the corollary shifting planetary imaginary that evolved in a transnational space she terms the "black nuclear Pacific." Following the first aerial drop of an atom bomb on humans and the subsequent military occupation of Japan by the United States, African American-Japanese encounters happened on a scale unimaginable before the war. Through texts from a diverse range of artists, writers, and political thinkers-such as the NAACP's Walter White, lawyer Edith Sampson, Josephine Baker, Langston Hughes, Lorraine Hansberry, and Malcolm X-who had formative interactions with occupied Japan, Taketani uncovers and analyzes African American cultural expressions that include a quasi-alien abduction narrative, a creation of a new tribe in the image of a rainbow on Earth, a black futuristic apocalypse, and a racial fantasy of the Mother Plane. Through these cultural expressions, Aerial Archives of Race tracks the black networks and exchanges with Japan from above that provoked new ways of thinking about (human) races on planet Earth.