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Toni Morrison : PLAYING WITH DIFFERENCE.
・ISBN 978-0-252-02823-6 hard US$ 39.00
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お気に入り
★★★
| 著者・編者 | Fultz, Lucille P., |
|---|---|
| 出版社 | (University of Illinois Press, US) |
| 出版年月 | 2003 |
| ページ数 | 160 pp. |
| 言語 | ENG |
| ニュース番号 | ＜L25-41257＞ |
解説
In this innovative study, Lucille P. Fultz explores Toni Morrison's rich body of work, uncovering the interplay between differences--love and hate, masculinity and femininity, black and white, past and present, wealth and poverty--that lie at the heart of these vibrant and complex narratives.
Much has already been made of Morrison's treatment of race, but Playing with Difference demonstrates that throughout her work Morrison creates a sophisticated matrix of difference, layering a multitude of other distinctions onto the racial one and observing how these "potencies of difference" play themselves out in her characters.
Fultz's holistic, thematic approach to her subject enables her to move deftly among the novels and stories, building a nuanced understanding of how markers of difference influence Morrison's narrative decisions. She examines Morrison's facility with imagery and wordplay and discusses the ways in which Morrison contends with the expectations of gender and race that have stiffened into traditions--or worse, prejudices.
Discussing the issues that unite and divide characters, Fultz views each novel, from The Bluest Eye (1970) to Paradise (1998), along with stories such as "Recitatif," as parts of an elaborate and dynamic whole.
Much has already been made of Morrison's treatment of race, but Playing with Difference demonstrates that throughout her work Morrison creates a sophisticated matrix of difference, layering a multitude of other distinctions onto the racial one and observing how these "potencies of difference" play themselves out in her characters.
Fultz's holistic, thematic approach to her subject enables her to move deftly among the novels and stories, building a nuanced understanding of how markers of difference influence Morrison's narrative decisions. She examines Morrison's facility with imagery and wordplay and discusses the ways in which Morrison contends with the expectations of gender and race that have stiffened into traditions--or worse, prejudices.
Discussing the issues that unite and divide characters, Fultz views each novel, from The Bluest Eye (1970) to Paradise (1998), along with stories such as "Recitatif," as parts of an elaborate and dynamic whole.