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Robert Bresson: Cinematic Style as Philosophy.
・ISBN 978-0-226-84504-3 paper US$ 30.00
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| 著者・編者 | Pippin, Robert B., |
|---|---|
| 出版社 | (University of Chicago Press, US) |
| 出版年月 | 2026 |
| ページ数 | 176 pp. |
| 言語 | ENG |
| ニュース番号 | ＜A04-46218＞ |
解説
A philosophical engagement with Bresson's many films, attentive to more than their religiosity.
Over a forty-year career, Robert Bresson developed one of the most distinctive cinematic styles in the history of filmmaking. Criticizing conventional movies as "filmed theater," Bresson proposed instead a way of writing with images, which he called "cinematographs." Robert B. Pippin argues here for a way of understanding how these stylistic innovations express a range of philosophical commitments, explorations of the possible sources of meaning in late modern life, and the implications of the absence of such sources.
Over a forty-year career, Robert Bresson developed one of the most distinctive cinematic styles in the history of filmmaking. Criticizing conventional movies as "filmed theater," Bresson proposed instead a way of writing with images, which he called "cinematographs." Robert B. Pippin argues here for a way of understanding how these stylistic innovations express a range of philosophical commitments, explorations of the possible sources of meaning in late modern life, and the implications of the absence of such sources.