株式会社極東書店トップ > 商品一覧 > The Supernatural Sublime: The Wondrous Ineffability of the Everyday in Films from Mexico and Spain.
商品詳細
The Supernatural Sublime: The Wondrous Ineffability of the Everyday in Films from Mexico and Spain.
・ISBN 978-1-4962-1424-9 hard US$ 55.00
¥12,886.- (税込) ※(※)価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Rodriguez-Hernandez, Raul / Schaefer, Claudia, |
|---|---|
| シリーズ | (New Hispanisms) |
| 出版社 | (University of Nebraska Press, US) |
| 出版年月 | 2019 |
| ページ数 | 318 pp. |
| 言語 | ENG |
| ニュース番号 | <A04-42538> |
解説
The Supernatural Sublime explores the long-neglected element of the supernatural in films from Spain and Mexico by focusing on the social and cultural contexts of their production and reception, their adaptations of codes and conventions for characters and plot, and their use of cinematic techniques to create the experience of emotion without explanation. Deploying the overarching concepts of the supernatural and the sublime, RaUl RodrIguez-HernAndez and Claudia Schaefer detail the dovetailing of the unnatural and the experience of limitlessness associated with the sublime.
The Supernatural Sublime embeds the films in the social histories of twentieth- and twenty-first-century Mexico and Spain, both of which made a forced leap into modernity after historical periods founded on official ideologies and circumscribed visions of the nation. Evoking Kant's definition of the experience of the sublime, RodrIguez-HernAndez and Schaefer concentrate on the unrepresentable and the contradictory that oppose purported universal truths and instead offer up illusion, deception, and imagination through cinema, itself a type of illusion: writing with light.
The Supernatural Sublime embeds the films in the social histories of twentieth- and twenty-first-century Mexico and Spain, both of which made a forced leap into modernity after historical periods founded on official ideologies and circumscribed visions of the nation. Evoking Kant's definition of the experience of the sublime, RodrIguez-HernAndez and Schaefer concentrate on the unrepresentable and the contradictory that oppose purported universal truths and instead offer up illusion, deception, and imagination through cinema, itself a type of illusion: writing with light.