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Staging Creolization: Women's Theatre and Performance Frm the French Caribbean.
・ISBN 978-0-8139-4008-3 paper US$ 40.50
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| 著者・編者 | Sahakian, Emily, |
|---|---|
| シリーズ | (New World Studies Modern Language Initiative) |
| 出版社 | (University of Virginia Press, US) |
| 出版年月 | 2017 |
| ページ数 | 312 pp. |
| 言語 | ENG |
| ニュース番号 | ＜A04-36635＞ |
解説
In Staging Creolization, Emily Sahakian examines seven plays by Ina Cesaire, Maryse Conde, Gerty Dambury, and Simone Schwarz-Bart that premiered in the French Caribbean or in France in the 1980s and 1990s and soon thereafter traveled to the United States. Sahakian argues that these late-twentieth-century plays by French Caribbean women writers dramatize and enact creolization-the process of cultural transformation through mixing and conflict that occurred in the context of the legacies of slavery and colonialism.
Sahakian here theorizes creolization as a performance-based process, dramatized by French Caribbean women's plays and enacted through their international production and reception histories. The author contends that the syncretism of the plays is not a static, fixed creole aesthetics but rather a dynamic process of creolization in motion, informed by history and based in the African-derived principle that performance is a space of creativity and transformation that connects past, present, and future.
Sahakian here theorizes creolization as a performance-based process, dramatized by French Caribbean women's plays and enacted through their international production and reception histories. The author contends that the syncretism of the plays is not a static, fixed creole aesthetics but rather a dynamic process of creolization in motion, informed by history and based in the African-derived principle that performance is a space of creativity and transformation that connects past, present, and future.