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Friendship Fictions: The Rhetoric of Citizenship in the Liberal Imaginary.
・ISBN 978-0-8173-5938-6 paper US$ 29.95
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お気に入り
★★★
| 著者・編者 | Kaplan, Michael A., |
|---|---|
| シリーズ | (Rhetoric, Culture, and, Social Critique) |
| 出版社 | (The University of Alabama Press, US) |
| 出版年月 | 2018 |
| ページ数 | 268 pp. |
| 言語 | ENG |
| ニュース番号 | <A04-36319> |
解説
Friendship serves as a metaphor for citizenship and mirrors the individual's participation in civic life. Friendship Fictions unravels key implications of this metaphor and demonstrates how it can transform liberal culture into a more just and democratic way of life.
A criticism often leveled at liberal democratic culture is its emphasis on the individual over community and private life over civic participation. However, liberal democratic culture has a more complicated relationship to notions of citizenship. As Michael Kaplan shows, citizenship comprises a major theme of popular entertainment, especially Hollywood film, and often takes the form of friendship narratives; and this is no accident. Examining the representations of citizenship-as-friendship in four Hollywood films (The Big Chill, Thelma & Louise, Lost in Translation, and Smoke), Kaplan argues that critics have misunderstood some of liberal democracy's most significant features: its resilience, its capacity for self-revision, and the cultural resonance of its model of citizenship.
For Kaplan, friendship-with its dynamic pacts, fluid alliances, and contingent communities-is one arena in which preconceptions about individual participation in civic life are contested and complicated. Friendship serves as a metaphor for citizenship and mirrors the individual's participation in civic life. Friendship Fictions unravels key implications of this metaphor and demonstrates how it can transform liberal culture into a more just and democratic way of life.
A criticism often leveled at liberal democratic culture is its emphasis on the individual over community and private life over civic participation. However, liberal democratic culture has a more complicated relationship to notions of citizenship. As Michael Kaplan shows, citizenship comprises a major theme of popular entertainment, especially Hollywood film, and often takes the form of friendship narratives; and this is no accident. Examining the representations of citizenship-as-friendship in four Hollywood films (The Big Chill, Thelma & Louise, Lost in Translation, and Smoke), Kaplan argues that critics have misunderstood some of liberal democracy's most significant features: its resilience, its capacity for self-revision, and the cultural resonance of its model of citizenship.
For Kaplan, friendship-with its dynamic pacts, fluid alliances, and contingent communities-is one arena in which preconceptions about individual participation in civic life are contested and complicated. Friendship serves as a metaphor for citizenship and mirrors the individual's participation in civic life. Friendship Fictions unravels key implications of this metaphor and demonstrates how it can transform liberal culture into a more just and democratic way of life.