株式会社極東書店トップ ＞ 商品一覧 ＞ The Chatter of the Visible: Montage and Narrative in Weimar Germany.
商品詳細
The Chatter of the Visible: Montage and Narrative in Weimar Germany.
・ISBN 978-0-472-07303-0 hard US$ 74.95
￥17,560.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | McBride, Patrizia C., |
|---|---|
| 出版社 | (The University of Michigan Press, US) |
| 出版年月 | 2016 |
| ページ数 | 252 pp. |
| 言語 | ENG |
| ニュース番号 | ＜A04-34734＞ |
解説
The Chatter of the Visible examines the paradoxical narrative features of the photo montage aesthetics of artists associated with Dada, Constructivism, and the New Objectivity. While montage strategies have commonly been associated with the purposeful interruption of and challenge to narrative consistency and continuity, McBride offers an historicized reappraisal of 1920s and 1930s German photo montage work to show that its peculiar mimicry was less a rejection of narrative and more an extension or permutation of it-a means for thinking in narrative textures exceeding constraints imposed by "flat" print media (especially the novel and other literary genres).
McBride's contribution to the conversation around Weimar-era montage is in her situation of the form of the work as a discursive practice in its own right, which affords humans a new way to negotiate temporality; as a particular mode of thinking that productively relates the particular to the universal; or as a culturally specific form of cognition.
McBride's contribution to the conversation around Weimar-era montage is in her situation of the form of the work as a discursive practice in its own right, which affords humans a new way to negotiate temporality; as a particular mode of thinking that productively relates the particular to the universal; or as a culturally specific form of cognition.