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Anglo-Saxon Styles.
・ISBN 978-0-7914-5869-3 hard US$ 104.00
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| 著者・編者 | Karkov, Catherine E. / Brown, George Hardin (eds.), |
|---|---|
| シリーズ | (SUNY series in Medieval Studies) |
| 出版社 | (State University of New York Press, US) |
| 出版年月 | 2003 |
| ページ数 | 328 pp. |
| 言語 | ENG |
| ニュース番号 | <A04-28127> |
解説
Considers the definitions and implications of style in Anglo-Saxon art and literature.
Art historian Meyer Schapiro defined style as "the constant form-and sometimes the constant elements, qualities, and expression-in the art of an individual or group." Today, style is frequently overlooked as a critical tool, with our interest instead resting with the personal, the ephemeral, and the fragmentary. Anglo-Saxon Styles demonstrates just how vital style remains in a methodological and theoretical prism, regardless of the object, individual, fragment, or process studied. Contributors from a variety of disciplines-including literature, art history, manuscript studies, philology, and more- consider the definitions and implications of style in Anglo-Saxon culture and in contemporary scholarship. They demonstrate that the idea of style as a "constant form" has its limitations, and that style is in fact the ordering of form, both verbal and visual. Anglo-Saxon texts and images carry meanings and express agendas, presenting us with paradoxes and riddles that require us to keep questioning the meanings of style.