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The Immemorial : The Subject and Its Doubles. Tr. by M. Matukhin.
・ISBN 978-1-80309-528-8 hard US$ 115.00
￥26,944.- (税込) ※（※）価格はご注文時の参考価格となります。
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お気に入り
★★★
・ISBN 978-1-80309-529-5 paper US$ 27.00
￥6,326.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Cavalletti, Andrea, / Tr. by M. Matukhin |
|---|---|
| シリーズ | The Italian List |
| 出版社 | (Seagull Books, UK) |
| 出版年月 | 2025.07 |
| ページ数 | 220 pp. |
| 言語 | ENG |
| ニュース番号 | ＜747-56＞ |
解説
A thought-provoking exploration of the fragility of bourgeois identity.
Vienna, 1825. News of a sickly, listless boy is making the rounds. In broad daylight, he falls into deep sleep and his personality changes dramatically. While sleeping, he reads, writes, plays cards, challenges his doctors with amusement, and accomplishes the most astonishing of exercises with his eyes closed. A new subject has appeared, a second "I" has now supplanted the first.
Andrea Cavalletti carefully registers the disquieting appearances of this second "I" in the literature and psychology of the past two centuries. In a context dominated by amnesia and somnambulism, hallucinations and wakeful dreams, the bourgeois subject, whose identity seemed so stable, turns out to be inhabited by masks that elude every grasp, at the mercy of a doubling that can no longer be recomposed. Personalities multiply and do battle, as even life and death exchange roles. And, ultimately, the identity of the Western subject reveals itself as a shade-like, constitutively double figure, that only lives in its weakness and forgetting, in its losses and distractions.
Vienna, 1825. News of a sickly, listless boy is making the rounds. In broad daylight, he falls into deep sleep and his personality changes dramatically. While sleeping, he reads, writes, plays cards, challenges his doctors with amusement, and accomplishes the most astonishing of exercises with his eyes closed. A new subject has appeared, a second "I" has now supplanted the first.
Andrea Cavalletti carefully registers the disquieting appearances of this second "I" in the literature and psychology of the past two centuries. In a context dominated by amnesia and somnambulism, hallucinations and wakeful dreams, the bourgeois subject, whose identity seemed so stable, turns out to be inhabited by masks that elude every grasp, at the mercy of a doubling that can no longer be recomposed. Personalities multiply and do battle, as even life and death exchange roles. And, ultimately, the identity of the Western subject reveals itself as a shade-like, constitutively double figure, that only lives in its weakness and forgetting, in its losses and distractions.