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The Last Mixtape : Physical Media and Nostalgic Cycles.
・ISBN 978-0-226-84046-8 hard US$ 115.00
￥26,944.- (税込) ※（※）価格はご注文時の参考価格となります。
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★★★
・ISBN 978-0-226-84048-2 paper US$ 27.50
￥6,442.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-0-226-84047-5
| 著者・編者 | Long, Seth, |
|---|---|
| 出版社 | (U. Chicago Pr., US) |
| 出版年月 | 2025.07 |
| ページ数 | 202 pp. |
| 言語 | ENG |
| ニュース番号 | ＜747-1237 747-1264＞ |
解説
A reflection on the evolution of physical media into metaphor, through the history of music curation.
Obsolescence makes the heart grow fonder, at least in the case of the mixtape. Not all technologies are so lucky. Some (say, wax cylinders) fade almost completely from cultural memory. A lucky few pass into metaphor: we still "hang up" our smartphones, "cut" film, and "patch" computer code. As digital streaming completes the obsolescence of physical media, what will become of the humble cassette?
In The Last Mixtape, Seth Long offers a microhistory of music curation, anchored by the cassette, from which he explores the meanings of obsolescence, ownership, nostalgia, and the speed of cultural change. A moving meditation on our relationship with music, memory, and curation in the digital century, Long ultimately calls for a return to the media ecology represented by the mixtape: a world in which media is cheap and abundant but tactile and meaningfully engaged.
Obsolescence makes the heart grow fonder, at least in the case of the mixtape. Not all technologies are so lucky. Some (say, wax cylinders) fade almost completely from cultural memory. A lucky few pass into metaphor: we still "hang up" our smartphones, "cut" film, and "patch" computer code. As digital streaming completes the obsolescence of physical media, what will become of the humble cassette?
In The Last Mixtape, Seth Long offers a microhistory of music curation, anchored by the cassette, from which he explores the meanings of obsolescence, ownership, nostalgia, and the speed of cultural change. A moving meditation on our relationship with music, memory, and curation in the digital century, Long ultimately calls for a return to the media ecology represented by the mixtape: a world in which media is cheap and abundant but tactile and meaningfully engaged.