株式会社極東書店トップ ＞ 商品一覧 ＞ Novel Cultivations : Plants in British Literature of the Global Nineteenth Century.
商品詳細
Novel Cultivations : Plants in British Literature of the Global Nineteenth Century.
・ISBN 978-0-8139-4247-6 hard US$ 68.50
￥16,049.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Chang, Elizabeth Hope, |
|---|---|
| シリーズ | Under the Sign of Nature |
| 出版社 | (University of Virginia Press, US) |
| 出版年月 | 2019 |
| ページ数 | 240 pp. |
| 言語 | ENG |
| ニュース番号 | ＜L25-37739＞ |
解説
Nineteenth-century English nature was a place of experimentation, exoticism, and transgression, as site and emblem of the global exchanges of the British Empire. Popular attitudes toward the transplantation of exotic species-botanical and human-to Victorian greenhouses and cities found anxious expression in a number of fanciful genre texts, including mysteries, science fiction, and horror stories.
Situated in a mid-Victorian moment of frenetic plant collecting from the far reaches of the British empire, Novel Cultivations recognizes plants as vital and sentient subjects that serve-often more so than people-as actors and narrative engines in the nineteenth-century novel. Conceptions of native and natural were decoupled by the revelation that nature was globally sourced, a disruption displayed in the plots of gardens as in those of novels.
Elizabeth Chang examines here the agency asserted by plants with shrewd readings of a range of fictional works, from monstrous rhododendrons in Daphne du Maurier's Rebecca and Mexican prickly pears in Olive Schreiner's Story of an African Farm, to Algernon Blackwood's hair-raising ""The Man Whom the Trees Loved"" and other obscure ecogothic tales. This provocative contribution to ecocriticism shows plants as buttonholes between fiction and reality, registering changes of form and content in both realms.
Situated in a mid-Victorian moment of frenetic plant collecting from the far reaches of the British empire, Novel Cultivations recognizes plants as vital and sentient subjects that serve-often more so than people-as actors and narrative engines in the nineteenth-century novel. Conceptions of native and natural were decoupled by the revelation that nature was globally sourced, a disruption displayed in the plots of gardens as in those of novels.
Elizabeth Chang examines here the agency asserted by plants with shrewd readings of a range of fictional works, from monstrous rhododendrons in Daphne du Maurier's Rebecca and Mexican prickly pears in Olive Schreiner's Story of an African Farm, to Algernon Blackwood's hair-raising ""The Man Whom the Trees Loved"" and other obscure ecogothic tales. This provocative contribution to ecocriticism shows plants as buttonholes between fiction and reality, registering changes of form and content in both realms.