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The Writer as Migrant.
・ISBN 978-0-226-83383-5 paper US$ 12.00
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★★★
| 著者・編者 | Jin, Ha, |
|---|---|
| シリーズ | The Rice University Campbell Lectures |
| 出版社 | (University of Chicago Press, US) |
| 出版年月 | 2024 |
| ページ数 | 112 pp. |
| 言語 | ENG |
| ニュース番号 | ＜L25-36826＞ |
解説
National Book Award winner Ha Jin raises questions about language, migration, and the place of literature in a rapidly globalizing world.
Consisting of three interconnected essays, The Writer as Migrant sets Ha Jin's own work and life alongside those of other literary exiles, creating a conversation across cultures and between eras. He employs the cases of Alexander Solzhenitsyn and Chinese novelist Lin Yutang to illustrate the obligation a writer feels to the land of their birth, while Joseph Conrad and Vladimir Nabokov-who, like Ha Jin, adopted English for their writing-are enlisted to explore a migrant author's conscious choice of a literary language. A final essay draws on V. S. Naipaul and Milan Kundera to consider the ways in which our era of perpetual change forces a migrant writer to reconceptualize the very idea of home. Throughout, Jin brings other celebrated writers into the conversation as well, including W. G. Sebald, C. P. Cavafy, and Salman Rushdie-refracting and refining the very idea of a literature of migration.
Simultaneously a reflection on a crucial theme and a fascinating glimpse at the writers who compose Ha Jin's mental library, The Writer as Migrant is a work of passionately engaged criticism, one rooted in departures but feeling like a new arrival.
Consisting of three interconnected essays, The Writer as Migrant sets Ha Jin's own work and life alongside those of other literary exiles, creating a conversation across cultures and between eras. He employs the cases of Alexander Solzhenitsyn and Chinese novelist Lin Yutang to illustrate the obligation a writer feels to the land of their birth, while Joseph Conrad and Vladimir Nabokov-who, like Ha Jin, adopted English for their writing-are enlisted to explore a migrant author's conscious choice of a literary language. A final essay draws on V. S. Naipaul and Milan Kundera to consider the ways in which our era of perpetual change forces a migrant writer to reconceptualize the very idea of home. Throughout, Jin brings other celebrated writers into the conversation as well, including W. G. Sebald, C. P. Cavafy, and Salman Rushdie-refracting and refining the very idea of a literature of migration.
Simultaneously a reflection on a crucial theme and a fascinating glimpse at the writers who compose Ha Jin's mental library, The Writer as Migrant is a work of passionately engaged criticism, one rooted in departures but feeling like a new arrival.