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商品詳細
Singing the Self : Guitar Poetry, Community, and Identity in the Post-Stalin Period.
・ISBN 978-0-8101-2833-0 hard US$ 45.00
￥10,543.- (税込) ※（※）価格はご注文時の参考価格となります。
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お気に入り
★★★
| 著者・編者 | Platonov, Rachel S., |
|---|---|
| 出版社 | (Northwestern University Press, US) |
| 出版年月 | 2012 |
| ページ数 | 386 pp. |
| 言語 | ENG |
| ニュース番号 | ＜L25-33756＞ |
解説
This book is a study of a Soviet cultural phenomenon of the 1950s through the 1980s known as guitar poetry-songs accompanied by guitar and considered poetry in much the same way as those of, for example, Bob Dylan. Platonov's is the most comprehensive book in English to date to analyse guitar poetry, which has rarely received scholarly attention outside of Russia. Going well beyond the conventional, text-centred view of guitar poetry as a form of political or artistic dissent, largely a function of the Cold War climate in which it began, Platonov argues for a more complex understanding of guitar poetry as a means of self-invention and community formation. Although grounded in literary studies, the book effectively brings historical, anthropological, and musicological perspectives to bear on an understudied phenomenon of the post-Stalin period.