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商品詳細
Comics and Catharsis : Exploring Graphic Narratives of Trauma and Healing.
・ISBN 978-1-4968-5894-8 paper US$ 30.00
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お気に入り
★★★
| 著者・編者 | Tronsgard, Jordan (ed.), |
|---|---|
| 出版社 | (University Press of Mississippi, US) |
| 出版年月 | 2025 |
| ページ数 | 254 pp. |
| 言語 | ENG |
| ニュース番号 | ＜L25-34339＞ |
解説
Contributions by Kelly Baron, Angie Chau, Jennifer Nagtegaal, Lee Okan, Diana Pifano, Russell Samolsky, Kay Sohini, Anastasia Ulanowicz, and Aanchal Vij
Comics and Catharsis: Exploring Graphic Narratives of Trauma and Healing explores the idea that trauma and healing hold an imbalance in many forms of literature-but especially in the world of comics. Whether it be war-based, national, physical, or sexual trauma, this volume looks at a wide variety of trauma and the psychological pain and devastation that arise during and-crucially for the question of trauma narratives-following the events as the psychological (and often physical) wounds are processed.
Essayists in the collection engage with questions of how comics process trauma through depictions and receptions. Viewing trauma through the lens of comics such as Maus, Persepolis, and Fun Home, as well as works by comics writers who are little-known or unknown outside their communities, contributors analyze how trauma is used in artistic style, writing, and overall storytelling. Together, the essays in Comics and Catharsis show how people who have suffered trauma often flock to these works to find a way to acknowledge and process their own suffering.
Comics and Catharsis: Exploring Graphic Narratives of Trauma and Healing explores the idea that trauma and healing hold an imbalance in many forms of literature-but especially in the world of comics. Whether it be war-based, national, physical, or sexual trauma, this volume looks at a wide variety of trauma and the psychological pain and devastation that arise during and-crucially for the question of trauma narratives-following the events as the psychological (and often physical) wounds are processed.
Essayists in the collection engage with questions of how comics process trauma through depictions and receptions. Viewing trauma through the lens of comics such as Maus, Persepolis, and Fun Home, as well as works by comics writers who are little-known or unknown outside their communities, contributors analyze how trauma is used in artistic style, writing, and overall storytelling. Together, the essays in Comics and Catharsis show how people who have suffered trauma often flock to these works to find a way to acknowledge and process their own suffering.