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Staging "The Mysterious Mother".
・ISBN 978-0-300-26365-7 hard US$ 65.00
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| 著者・編者 | Roman, Cynthia E. / Campbell, Jill / Kramnick, Jonathan (eds.), |
|---|---|
| シリーズ | The Lewis Walpole Series in Eighteenth-Century Culture and History |
| 出版社 | (Yale University Press, US) |
| 出版年月 | 2024 |
| ページ数 | 376 pp. |
| 言語 | ENG |
| ニュース番号 | ＜L25-1489＞ |
解説
The first book-length study of Horace Walpole's scandalous The Mysterious Mother, including critical essays, an abridged script, and a facsimile edition
Horace Walpole's five-act tragedy The Mysterious Mother (1768), a sensational tale of incest and intrigue, was initially circulated only among the author's friends. Walpole never permitted it to be performed during his lifetime except as a private theatrical. He described his play as a "delicious entertainment for the closet" and claimed that he "did not think it would do for the stage." Yet the essays in this volume trace a history of private readings, amateur theatricals, and even early public performances, demonstrating that the play was read and performed more than Walpole's protests suggest. Exploring a wide variety of topics-including the play's crypto-Catholicism, its treatments of incest, guilt, motherhood, orphans, and scientific spectacle, and the complex relations between print and performance-the essays demonstrate the rich relevance of The Mysterious Mother to current critical discussions.
The volume includes the proceedings of a mini-conference hosted at Yale University in 2018 on the occasion of a staged reading of the play. Also included are the director's reflections, an abridged script, a facsimile of Walpole's own copy of the full-length play, and reproductions of the illustrations he commissioned from Lady Diana Beauclerk.
Horace Walpole's five-act tragedy The Mysterious Mother (1768), a sensational tale of incest and intrigue, was initially circulated only among the author's friends. Walpole never permitted it to be performed during his lifetime except as a private theatrical. He described his play as a "delicious entertainment for the closet" and claimed that he "did not think it would do for the stage." Yet the essays in this volume trace a history of private readings, amateur theatricals, and even early public performances, demonstrating that the play was read and performed more than Walpole's protests suggest. Exploring a wide variety of topics-including the play's crypto-Catholicism, its treatments of incest, guilt, motherhood, orphans, and scientific spectacle, and the complex relations between print and performance-the essays demonstrate the rich relevance of The Mysterious Mother to current critical discussions.
The volume includes the proceedings of a mini-conference hosted at Yale University in 2018 on the occasion of a staged reading of the play. Also included are the director's reflections, an abridged script, a facsimile of Walpole's own copy of the full-length play, and reproductions of the illustrations he commissioned from Lady Diana Beauclerk.