株式会社極東書店トップ > 商品一覧 > The Dissolution of Character in Late Romanticism, 1820 - 1839.
商品詳細
The Dissolution of Character in Late Romanticism, 1820 - 1839.
・ISBN 978-1-4744-2130-0 hard GB£ 100.00
¥31,680.- (税込) ※(※)価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
電子版あり 大学・学術機関向け電子ブック(eBook)ISBN 978-1-4744-2131-7
| 著者・編者 | Cope, Jonas, |
|---|---|
| シリーズ | Edinburgh Critical Studies in Romanticism |
| 出版社 | (Edinburgh University Press, UK) |
| 出版年月 | 2018 |
| ページ数 | 248 pp. |
| 言語 | ENG |
| ニュース番号 | <L25-5422> |
解説
Restructures and revitalises late Romantic literature as a movement fascinated with competing claims about the reality and knowability of character The idea of character that many of us still take for granted - whether considered in print as an object of representation, or in life as a congenital 'bias' or an acquirable moral possession - is the shared concern of a multidisciplinary debate in reform-era Britain. This book argues for the independent merits of several lesser-known works written in England and Scotland during the 1820s and 1830s, recovering in these works a sustained ideological engagement with the ever-slippery concept of character. The Dissolution of Character in Late Romanticism studies texts written by contemporary poets, novelists, essayists, journalists, philosophers, phrenologists, sociologists, gossip-mongers and anonymous correspondents. Its main authors of interest include David Hume, Walter Scott, Charles Lamb, William Hazlitt, Hartley Coleridge, Letitia Landon, Thomas Love Peacock and Thomas Lovell Beddoes. With a fresh, interdisciplinary approach, this original intervention in Romantic-era scholarship throws character into relief as an especially problematic concept, not only for the poststructuralist critics who study late Romantic writers, but also for the writers themselves. It changes the ways in which literary scholarship has thought about the development of character discourse in the first half of the nineteenth century. Key Features Describes a synthesis by which debates in many disciplines (novel-writing, periodical-writing, philosophy, phrenology, sociology, medicine, ethics) are distilled into the concept of character associated with literary realismMoves a relatively eclectic group of writers to the forefront of a literary culture traditionally narrowed to focus on Lord Byron, Percy Shelley, John Keats and their legaciesEstablishes a more comprehensive understanding of late Romantic literary networks by pairing authors rarely studied together (such as William Hazlitt and Letitia Landon)