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Meat Markets : The Cultural History of Bloody London.
・ISBN 978-1-4744-2471-4 hard GB£ 100.00
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電子版あり 大学・学術機関向け電子ブック(eBook)ISBN 978-1-4744-2472-1
電子版あり 大学・学術機関向け電子ブック(eBook)ISBN 978-1-4744-3452-2
| 著者・編者 | Geier, Ted, |
|---|---|
| シリーズ | Edinburgh Studies in Modern Arabic Literature |
| 出版社 | (Edinburgh University Press, UK) |
| 出版年月 | 2017 |
| ページ数 | 224 pp. |
| 言語 | ENG |
| ニュース番号 | <L25-5381> |
解説
Abjective ecologies of British humans, animals, and other nonhumans in cultural forms of nineteenth-century literature, from Dracula to Bovril Meat Markets articulates the emergent 'nonhuman thought' developed across literatures of the long nineteenth century and inflecting recent critical theories of abject life and animality. It presents important connections between meat and popular serial press industries, the intersections of criminals and public readership, and the long history of bloody spectacle at London's Smithfield Market including public executions, criminal escapades, death and horror tales, and the fungible 'penny press' forms of mass consumption. Through analysis of subjection, address, and narration in canonical and penny literatures, this book reveals the mutual forces of concern and consumption that afflict objects of a weird cultural history of bloody London across the long nineteenth century. Players include butchers, Smithfield, Parliament, Dickens, Romantics, Sweeney Todd, cattle, and a strange, impossible London. Key Features Articulates the emergent 'nonhuman thought' developed across literatures of the long nineteenth century and inflecting recent critical theories of abject life and animalityShows the productive contradictions in social and animal concern as it produces anonymous, 'biopolitical' objects in literature, food culture, and London societyPresents important connections between meat and popular serial press industries, the intersections of criminals and public readership, and the long history of bloody spectacle at London's Smithfield Market including public executions, criminal escapades, death and horror tales, and the fungible 'penny press' forms of mass consumption