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Ekphrasis, Memory and Narrative after Proust : Prose Pictures and Fictional Recollection.
・ISBN 978-1-350-33683-4 2023 hard GB£ 90.00
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電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-1-350-33686-5
| 著者・編者 | Bilmes, Leonid, |
|---|---|
| 出版社 | (Bloomsbury Academic, UK) |
| ページ数 | 256 pp. |
| 言語 | ENG |
| ニュース番号 | ＜L25-2943＞ |
解説
This book explores the relationship between ekphrasis and memory in the novel. Drawing on A la recherche du temps perdu, Leonid Bilmes considers how Vladimir Nabokov, W. G. Sebald, Ben Lerner, Ali Smith and Lydia Davis have employed and reshaped Proust's way of depicting the recollected past.
In Ada, Austerlitz, 10:04, How to Be Both and The End of the Story, memory images are variously transposed into intermedial descriptions that inform the narrator's story, just as they serve to shape the reader's own remembrance of each of these narratives. Ekphrasis in the novel after Proust, Bilmes argues, acts as a distinct site within the text where past and present, self and other, image and text, seeing and hearing, are ever on the brink of reconciliation.
The book surveys a wide field of critical inquiry, encompassing classical theorizations of ekphrasis, philosophical explorations of memory and visuality, as well as seminal studies of image-text relations by, among others, W. J. T. Mitchell, Jean-Luc Nancy and Liliane Louvel. Bilmes's compelling dialogue with theory and literature evinces the underexplored bond between ekphrasis and memory in the contemporary novel.