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Translators' Formative Agency in the Periodical Hawar (1932-1943) : The Making of a Kurdish Cultural Identity.
・ISBN 978-90-04-72665-9 hard EUR 110.00
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お気に入り
★★★
電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-90-04-72666-6
| 著者・編者 | Çelik, Dibar, |
|---|---|
| シリーズ | Brill Kurdish Studies |
| 出版社 | (Brill, NE) |
| 出版年月 | 2025.04 |
| ページ数 | 274 pp. |
| 言語 | ENG |
| ニュース番号 | ＜740-881＞ |
解説
Winner of the Serbest Best Book Award in Humanities in Kurdish Studies 2026
The present work uncovers the pivotal role translations in the periodical Hawar played in the formation of a Kurdish cultural identity. In this light, it foregrounds translators' agency and their contributions in novel contexts and thus fills a crucial gap in this area.This work provides new insights into identity formation, focusing on translations in a key magazine published in a minoritized language in the 1930s and 1940s. In this context, it particularly underscores the agency of Celadet Ali? Bedirxan as the leading translator and writer as well as the founder and chief editor of the magazine. His vision of Kurdish cultural identity in Hawar had a multilayered characteristic: It was oriented toward a dialogic relationship between Kurdish and western cultures. It proposed the Roman script for Kurdish language dialects and introduced a simple prose style. It also embraced a plural Kurdish religious aspect and led the way to the development of modern Kurdish literature.
The present work uncovers the pivotal role translations in the periodical Hawar played in the formation of a Kurdish cultural identity. In this light, it foregrounds translators' agency and their contributions in novel contexts and thus fills a crucial gap in this area.This work provides new insights into identity formation, focusing on translations in a key magazine published in a minoritized language in the 1930s and 1940s. In this context, it particularly underscores the agency of Celadet Ali? Bedirxan as the leading translator and writer as well as the founder and chief editor of the magazine. His vision of Kurdish cultural identity in Hawar had a multilayered characteristic: It was oriented toward a dialogic relationship between Kurdish and western cultures. It proposed the Roman script for Kurdish language dialects and introduced a simple prose style. It also embraced a plural Kurdish religious aspect and led the way to the development of modern Kurdish literature.