株式会社極東書店トップ ＞ 商品一覧 ＞ Carla Arocha and Stephane Schraenen: Monograph as Project.
商品詳細
Carla Arocha and Stephane Schraenen: Monograph as Project.
・ISBN 978-0-300-28363-1 hard US$ 100.00
￥23,430.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Vanderlinden, Barbara / Vanderlinden, Barbara (ed.), |
|---|---|
| 出版社 | (Yale University Press, US) |
| 出版年月 | 2026 |
| ページ数 | 664 pp. |
| 言語 | ENG |
| ニュース番号 | ＜A03-82613＞ |
解説
An exploration of the captivating works of Carla Arocha and Stephane Schraenen, which reference both popular culture and Minimalism
This lavishly illustrated monograph offers a comprehensive study of Arocha and Schraenen's individual works and collaborative practice since 2006. It explores their captivating works, which reference popular culture and Minimalism, and their exploration of perception and cultural themes through large-scale installations, paintings, and the photographic medium.
Featuring historical and new photography of works and installations produced between 1990 and 2023, the publication delves into over 500 artworks, alongside cultural references, sketches, and archival ephemera. The book, edited by Barbara Vanderlinden, includes essays from such renowned art critics and curators as Monica Amor, Marc Donnadieu, and Philippe Pirotte, and reprinted interviews with Arocha and Schraenen by Helen Molesworth and Hans-Ulrich Obrist. A detailed illustrated chronology, exhibition history, bibliography, and index round out this comprehensive volume.
Designed by Irma Boom, the book goes beyond a traditional monograph by "reimagining the format" to mirror the artists' collaborative spirit. It emphasizes how Arocha and Schraenen's work utilizes mirrors to disrupt viewers' perceptions of reality.
This lavishly illustrated monograph offers a comprehensive study of Arocha and Schraenen's individual works and collaborative practice since 2006. It explores their captivating works, which reference popular culture and Minimalism, and their exploration of perception and cultural themes through large-scale installations, paintings, and the photographic medium.
Featuring historical and new photography of works and installations produced between 1990 and 2023, the publication delves into over 500 artworks, alongside cultural references, sketches, and archival ephemera. The book, edited by Barbara Vanderlinden, includes essays from such renowned art critics and curators as Monica Amor, Marc Donnadieu, and Philippe Pirotte, and reprinted interviews with Arocha and Schraenen by Helen Molesworth and Hans-Ulrich Obrist. A detailed illustrated chronology, exhibition history, bibliography, and index round out this comprehensive volume.
Designed by Irma Boom, the book goes beyond a traditional monograph by "reimagining the format" to mirror the artists' collaborative spirit. It emphasizes how Arocha and Schraenen's work utilizes mirrors to disrupt viewers' perceptions of reality.