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Earmarked for Collision: A Highly Biased Tour of Collage Animation.
・ISBN 978-1-032-43908-2 paper GB£ 20.99
￥6,649.- (税込) ※（※）価格はご注文時の参考価格となります。
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| 著者・編者 | Robinson, Chris, |
|---|---|
| シリーズ | (Focus Animation) |
| 出版社 | (CRC Press, UK) |
| 出版年月 | 2024 |
| ページ数 | 134 pp. |
| 言語 | ENG |
| ニュース番号 | ＜A03-79244＞ |
解説
Collage art and film date back to the early 20th century (the earliest collages have roots in 12th-century Japan). It was rooted in the age of consumerism where artists addressed an array of political and social issues by creating a carefully crafted collision of pre-existing images and sounds to generate new meanings and commentaries on the surrounding world.
Collage has also pushed the boundaries of animation, by incorporating other artistic forms (e.g., photography, live action, experimental cinema, literature, found sound) while exploring an array of social, cultural and political issues.
In Earmarked for Collision, award-winning writer Chris Robinson (The Animation Pimp, Mad Eyed Misfits, Unsung Heroes of Animation) takes us on a tour of the history of collage animation, cataloguing the collage works of notable artists like Larry Jordan, Harry Smith, Stan Vanderbeek, Terry Gilliam, Janie Geiser, Martha Colburn, Lewis Klahr, Run Wrake, Lei Lei, Kelly Sears, Jodie Mack, and many, many others.