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商品詳細
Technologies of the Self-Portrait: Identity, Presence and the Construction of the Subject(s) in Twentieth and Twenty-First Century Art.
・ISBN 978-1-032-31018-3 paper GB£ 43.99
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| 著者・編者 | Giannachi, Gabriella, |
|---|---|
| シリーズ | (Routledge Advances in Art and Visual Studies) |
| 出版社 | (Routledge, UK) |
| 出版年月 | 2024 |
| ページ数 | 152 pp. |
| 言語 | ENG |
| ニュース番号 | ＜A03-57733＞ |
解説
This book demonstrates how artists have radically revisited the genre of the self-portrait by using a range of technologies and media that mark different phases in what can be described as a history of self- or selves-production.
Gabriella Giannachi shows how artists constructed their presence, subjectivity, and personhood, by using a range of technologies and media including mirrors, photography, sculpture, video, virtual reality and social media, to produce an increasingly fluid, multiple, and social representation of their 'self'.
This interdisciplinary book draws from art history, performance studies, visual culture, new media theory, philosophy, computer science, and neuroscience to offer a radical new reading of the genre.