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Staging Sovereignty : Theory, Theater, Thaumaturgy.
・ISBN 978-0-231-21733-0 hard US$ 140.00
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・ISBN 978-0-231-21734-7 paper US$ 35.00
¥8,200.- (税込) ※(※)価格はご注文時の参考価格となります。
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★★★
| 著者・編者 | Bradley, Arthur, |
|---|---|
| シリーズ | Insurrections: Critical Studies in Religion, Politics, and Culture |
| 出版社 | (Columbia U. Pr., US) |
| 出版年月 | 2024.11 |
| ページ数 | 336 pp. |
| 言語 | ENG |
| ニュース番号 | <727-1041 727-33> |
解説
To become sovereign, one must be seen as sovereign. In other words, a sovereign must appear-philosophically, politically, and aesthetically-on the stage of power, both to themselves and to others, in order to assume authority. In this sense, sovereignty is a theatrical phenomenon from the very beginning.
This book explores the relationship between theater and sovereignty in modern political theory, philosophy, and performance. Arthur Bradley considers the theatricality of power-its forms, dramas, and iconography-and examines sovereignty's modes of appearance: thrones, insignia, regalia, ritual, ceremony, spectacle, marvels, fictions, and phantasmagoria. He weaves together political theory and literature, reading figures such as Plato, Aristotle, Montaigne, Leibniz, Kant, Hegel, Schmitt, Benjamin, Derrida, and Agamben alongside writers including Shakespeare, Cervantes, Schiller, Melville, Valery, Kafka, Ionesco, and Genet.
Formally inventive and deeply interdisciplinary, Staging Sovereignty offers a surprising and original narrative of political modernity from early modern political theology to the age of neoliberal capitalism.
This book explores the relationship between theater and sovereignty in modern political theory, philosophy, and performance. Arthur Bradley considers the theatricality of power-its forms, dramas, and iconography-and examines sovereignty's modes of appearance: thrones, insignia, regalia, ritual, ceremony, spectacle, marvels, fictions, and phantasmagoria. He weaves together political theory and literature, reading figures such as Plato, Aristotle, Montaigne, Leibniz, Kant, Hegel, Schmitt, Benjamin, Derrida, and Agamben alongside writers including Shakespeare, Cervantes, Schiller, Melville, Valery, Kafka, Ionesco, and Genet.
Formally inventive and deeply interdisciplinary, Staging Sovereignty offers a surprising and original narrative of political modernity from early modern political theology to the age of neoliberal capitalism.