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Intermedialities: Political Theory and Cinematic Experience.
・ISBN 978-0-8101-4711-9 hard US$ 100.00
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| 著者・編者 | Panagia, Davide, |
|---|---|
| シリーズ | (Superimpositions) |
| 出版社 | (Northwestern University Press, US) |
| 出版年月 | 2024 |
| ページ数 | 168 pp. |
| 言語 | ENG |
| ニュース番号 | ＜A03-52325＞ |
解説
Understanding democracy through film philosophy and political theory
Shining new light on our understanding of cinema's ways of political thinking, Intermedialities: Political Theory and Cinematic Experience puts modern political theory in conversation with the philosophy of film. Davide Panagia argues that there are no natural laws of association that can guarantee a template for democratic participation, as democracy is predicated not on stabilizing foundations but rather on the formation of expansive collectivities and institutions that are responsive to alterability. Instead, democracy requires a relational ontology, one that he elucidates by turning to philosophers of film like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard-all of whom have articulated a political aesthetic of cinematic experience that is at once aspectual and compositional. Panagia reads these thinkers alongside a counter tradition of modern political thought, represented by David Hume, Ludwig Wittgenstein, and Gilbert Simondon. His articulation of cinematic experience thus allows for a political aesthetic that is rooted in the migratory realities of undetermined relations.
Shining new light on our understanding of cinema's ways of political thinking, Intermedialities: Political Theory and Cinematic Experience puts modern political theory in conversation with the philosophy of film. Davide Panagia argues that there are no natural laws of association that can guarantee a template for democratic participation, as democracy is predicated not on stabilizing foundations but rather on the formation of expansive collectivities and institutions that are responsive to alterability. Instead, democracy requires a relational ontology, one that he elucidates by turning to philosophers of film like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard-all of whom have articulated a political aesthetic of cinematic experience that is at once aspectual and compositional. Panagia reads these thinkers alongside a counter tradition of modern political thought, represented by David Hume, Ludwig Wittgenstein, and Gilbert Simondon. His articulation of cinematic experience thus allows for a political aesthetic that is rooted in the migratory realities of undetermined relations.