株式会社極東書店トップ ＞ 商品一覧 ＞ Scratches: The Rules of the Game, Volume 1.
商品詳細
Scratches: The Rules of the Game, Volume 1.
・ISBN 978-0-300-21237-2 paper US$ 18.00
￥4,217.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Leiris, Michel, |
|---|---|
| シリーズ | (The Margellos World Republic of Letters 1) |
| 出版社 | (Yale University Press, US) |
| 出版年月 | 2017 |
| ページ数 | 272 pp. |
| 言語 | ENG |
| ニュース番号 | ＜A02-89509＞ |
解説
A dazzling translation by Lydia Davis of the first volume of Michel Leiris's masterwork, perhaps the most important French autobiographical enterprise of the twentieth century
Michel Leiris, a French intellectual whose literary works inspired high praise from the likes of Simone de Beauvoir and Claude Levi-Strauss, began the first volume of his autobiographical project at the age of 40. It was the beginning of an endeavor that ultimately required 35 years and three additional volumes.
In Volume 1, Scratches, Leiris proposes to discover a savoir vivre, a mode of living that would have a place for both his poetics and his personal morality. "I can scarcely see the literary use of speech as anything but a means of sharpening one's consciousness in order to be more-and in a better way-alive," he declares. He begins the project of uncovering memories, returning to moments and images of childhood-his father's recording machine, the letters of the alphabet coming to life-and then of his later life-Paris under the Occupation, a journey to Africa, and a troubling fear of death.
Michel Leiris, a French intellectual whose literary works inspired high praise from the likes of Simone de Beauvoir and Claude Levi-Strauss, began the first volume of his autobiographical project at the age of 40. It was the beginning of an endeavor that ultimately required 35 years and three additional volumes.
In Volume 1, Scratches, Leiris proposes to discover a savoir vivre, a mode of living that would have a place for both his poetics and his personal morality. "I can scarcely see the literary use of speech as anything but a means of sharpening one's consciousness in order to be more-and in a better way-alive," he declares. He begins the project of uncovering memories, returning to moments and images of childhood-his father's recording machine, the letters of the alphabet coming to life-and then of his later life-Paris under the Occupation, a journey to Africa, and a troubling fear of death.