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商品詳細
Revolutionary Stagecraft : Theater, Technology, and Politics in Modern China.
・ISBN 978-0-472-07656-7 hard US$ 90.00
￥21,087.- (税込) ※（※）価格はご注文時の参考価格となります。
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・ISBN 978-0-472-05656-9 paper US$ 39.95
￥9,359.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
| 著者・編者 | Chun, Tarryn Li-Min, |
|---|---|
| 出版社 | (U. Michigan Pr., US) |
| 出版年月 | 2024.06 |
| ページ数 | 338 pp. |
| 言語 | ENG |
| ニュース番号 | ＜721-686 721-870＞ |
解説
Co-Winner: 2024 Theatre Library Association George Freedley Memorial Award
Finalist: American Society for Theatre Research Barnard Hewitt Award for Outstanding Research in Theatre History
Winner: 2025 Association for Theatre in Higher Education Outstanding Book Award in Innovative Achievement
Revolutionary Stagecraft draws on a rich corpus of literary, historical, and technical materials to reveal a deep entanglement among technological modernization, political agendas, and the performing arts in modern China. This unique approach to Chinese theater history combines a close look at plays themselves, performance practices, technical theater details, and behind-the-scenes debates over "how to" make theater amid the political upheavals of China's 20th century. The book begins at a pivotal moment in the 1920s-when Chinese theater artists began to import, use, and write about modern stage equipment-and ends in the 1980s when China's scientific and technological boom began. By examining iconic plays and performances from the perspective of the stage technologies involved, Tarryn Li-Min Chun provides a fresh perspective on their composition and staging. The chapters include stories on the challenges of creating imitation neon, rigging up a makeshift revolving stage, and representing a nuclear bomb detonating onstage.
In thinking about theater through technicity, the author mines well-studied materials such as dramatic texts and performance reviews for hidden technical details and brings to light a number of previously untapped sources such as technical journals and manuals; set design renderings, lighting plots, and prop schematics; and stage technology how-to guides for amateur thespians. This approach focuses on material stage technologies, situating these objects equally in relation to their technical potential, their human use, and the social, political, economic, and cultural forces that influence them. In each of its case studies, Revolutionary Stagecraft reveals the complex and at times surprising ways in which Chinese theater artists and technicians of the 20th century envisioned and enacted their own revolutions through the materiality of the theater apparatus.