株式会社極東書店トップ ＞ 商品一覧 ＞ Afrofuturism and Black Sound Studies: Culture, Technology, and Things to Come. 1st ed. 2018
商品詳細
Afrofuturism and Black Sound Studies: Culture, Technology, and Things to Come. 1st ed. 2018
・ISBN 978-3-319-66040-0 hard EUR 139.99
￥37,418.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Steinskog, Erik, |
|---|---|
| シリーズ | (Palgrave Studies in Sound) |
| 出版社 | (Springer International Publishing AG, SZ) |
| 出版年月 | 2017 |
| ページ数 | 241 pp. |
| 言語 | ENG |
| ニュース番号 | ＜A02-40038＞ |
解説
This book interrogates the meeting point between Afrofuturism and Black Sound Studies. Whereas Afrofuturism is often understood primarily in relation to science fiction and speculative fiction, it can also be examined from a sonic perspective.
The sounds of Afrofuturism are deeply embedded in the speculative - demonstrated in mythmaking - in frameworks for songs and compositions, in the personas of the artists, and in how the sounds are produced. In highlighting the place of music within the lived experiences of African Americans, the author analyses how the perspectives of Black Sound Studies complement and overlap with the discussion of sonic Afrofuturism. Focusing upon blackness, technology, and sound, this unique text offers key insights in how music partakes in imagining and constructing the future.
This innovative volume will appeal to students and scholars of sound studies, musicology and African American studies.
The sounds of Afrofuturism are deeply embedded in the speculative - demonstrated in mythmaking - in frameworks for songs and compositions, in the personas of the artists, and in how the sounds are produced. In highlighting the place of music within the lived experiences of African Americans, the author analyses how the perspectives of Black Sound Studies complement and overlap with the discussion of sonic Afrofuturism. Focusing upon blackness, technology, and sound, this unique text offers key insights in how music partakes in imagining and constructing the future.
This innovative volume will appeal to students and scholars of sound studies, musicology and African American studies.