株式会社極東書店トップ ＞ 商品一覧 ＞ Performing Marginality: Humour, Gender and Cultural Critique.
商品詳細
Performing Marginality: Humour, Gender and Cultural Critique.
・ISBN 978-0-8143-2803-3 paper US$ 29.99
￥7,025.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| シリーズ | (Humor in Life and Letters Series) |
|---|---|
| 出版社 | (Wayne State University Press, US) |
| 出版年月 | 2004 |
| ページ数 | 256 pp. |
| 言語 | ENG |
| ニュース番号 | ＜A01-17865＞ |
解説
How do contemporary American female comics perform onstage, and what does this performance reveal about power relations in our culture as well as the existence of a "female" and, more specifically, "feminist" genre of stand-up comedy? In this long overdue study of women and stand-up comedy, Joanne R. Gilbert explores these questions in order to illuminate the social, political, and cultural implications of power and gender in popular entertainment.
Gilbert's research recognizes the problems that arise from assumptions made about the genres of "female" and "feminist" humor and ultimately suggests that these are part of a larger genre she calls "marginal humor." Performing Marginality provides a historical overview of female comic performance and offers a taxonomy of comedic postures assumed by contemporary female comics, providing a useful way to categorize this often overlooked genre. Performing Marginality also examines problems in existing studies on the subject, the politics involved with marginal humor, and the role of audience in comic performance.
This book develops the notion of "performing marginality" not only as the way female comics perform their gender onstage, but as the means by which all of us construct, contest, and negotiate our gendered, racialized, and otherwise marked identities in everyday life. As a former professional stand-up comic and current scholar of communications and women's studies, Gilbert offers a unique perspective on gender, humor, and power through the lens of contemporary female comic performance.
Gilbert's research recognizes the problems that arise from assumptions made about the genres of "female" and "feminist" humor and ultimately suggests that these are part of a larger genre she calls "marginal humor." Performing Marginality provides a historical overview of female comic performance and offers a taxonomy of comedic postures assumed by contemporary female comics, providing a useful way to categorize this often overlooked genre. Performing Marginality also examines problems in existing studies on the subject, the politics involved with marginal humor, and the role of audience in comic performance.
This book develops the notion of "performing marginality" not only as the way female comics perform their gender onstage, but as the means by which all of us construct, contest, and negotiate our gendered, racialized, and otherwise marked identities in everyday life. As a former professional stand-up comic and current scholar of communications and women's studies, Gilbert offers a unique perspective on gender, humor, and power through the lens of contemporary female comic performance.