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Performing Femininity: Woman as Performer in Early Russian Cinema.
・ISBN 978-1-350-24286-9 paper GB£ 32.99
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| 著者・編者 | Morley, Rachel, |
|---|---|
| シリーズ | (KINO - The Russian and Soviet Cinema) |
| 出版社 | (Bloomsbury Academic, UK) |
| 出版年月 | 2021 |
| ページ数 | 304 pp. |
| 言語 | ENG |
| ニュース番号 | ＜A02-29289＞ |
解説
Oriental dancers, ballerinas, actresses and opera singers the figure of the female performer is ubiquitous in the cinema of pre-Revolutionary Russia. From the first feature film, Romashkov's Stenka Razin (1908), through the sophisticated melodramas of the 1910s, to Viskovsky's The Last Tango (1918), made shortly before the pre-Revolutionary film industry was dismantled by the new Soviet government, the female performer remains central. In this groundbreaking new study, Rachel Morley argues that early Russian film-makers used the character of the female performer to explore key contemporary concerns from changing conceptions of femininity and the emergence of the so-called New Woman, to broader questions concerning gender identity. Morley also reveals that the film-makers repeatedly used this archetype of femininity to experiment with cinematic technology and develop a specific cinematic language."